FAT entity is like a pooling kite

le centre de la bombe university

The timbre-parameter in Acoustics does not exist. Timbre is an arrangement of this entity:

 

F A T

THE ELEMENTAL WESTERN WRITING MUSIC CONCEPTION /continuation 3

 

This particular concepting of music analysis led us to decompose the musical sound in
4 independent perceptive attributes + 1 making up:

FAT - Pitch-shape
FAT - Intensity-shape
FAT - Duration-shape
FAT - Timbre-shape
FAT - Structure-shape



Often we mix up
perceptive attributes of sound with music sensations:

D uration with rhythm feelings
I ntensity with dynamics feelings
P itch with melody and harmony feelings
T imbre with "sound-colors" feelings

 

In musical composition each of these attributes can be favored more than others:

D emphasize rhythm, like: some African drum music, Gamelan from Java, Techno and all dance floor music, etc.
I emphasize dynamics, like: Varèse, certain Rock music, Hardcore, etc.
P emphasize melody or harmony, like: Classical European music, popular songs, etc.
T emphasize "sound color", like: Electroacoustic music, Rumanian School, Scelci, Spectral music, etc.

S emphasize structure, like: Bach, Boulez, Xenakis, etc.

 

w h a t i s i t i n c r e d i b l e ?
Today we can compose sound by decomposing sound with its own parameters [2]:

 

Pitch-shape can split up itself through FAT and with
Duration-shape can split up itself through FAT and with
Timbre-shape can split up itself through FAT and with
Intensity-shape can split up itself through FAT and with
Structure-shape can split up itself through FAT and with

DA CAPO IN 14 PATHS AMONG THEM

 

a polyphony of digital para-matters played by a same musical instrument.[4]

 

However it's a possibility...


NOTES:
[1] musical structure can exist independently of DIPT musical sound attributes :
see Karlheinz Stockhausen's Spiral written with plus and minus signs attribute to virtual DIPT.
[2] see the musical works of Jean Claude Risset like Mutation (CD Wergo 2013-50)
[3] this is the blur Western concepting of generating writing music: computed structuralism.
[4] a "come back" of "point against point" contrapoint writing music technique!