le centre de la bombe university

OPERATIONS AND MANIPULATIONS IN WRITTEN WESTERN MUSIC,

are structural processes,

in surgical operation and brain manipulation to write music,
or the beginning of ejecting quantifiction for poetry of vibrations.

 

we play with different kinds of sound perception in A.
and we are teasing the borders of admissible perception in B.

in A.
Distinguishable or Indistinguishable => Shadow Identities or Shadow Masses
Recognizable or Unrecognizable => Remarkable Identities or Remarkable Masses
Eatable or Uneatable => Conflictable Identities or Conflictable Masses

in B.
supportable - not supportable => music with sounds
pleasant - unpleasant => music with sounds
indifferent - marvelous => music with sounds

There is 36 combinations of these in B. affective attributes,

go to see the diagram "we cannot mix up music and sound because...",
this diagram set clearly our intention for a precise result.

in A. We play with digital matters,
in B. We play with ours intended sensations.

Then we mix them to have a global vision of our wishing result.