You are in the center of the bomb and you will discover music you never heard before

Since 1997, centrebombe is online the Internet as a window showing the music works of Myster Mathius Shadow-Sky and some talented friends. Since that time; 15 years, there is no real human feedback as expected at all; like an invitation for an original music creation somewhere on Earth with human friendly contact; according of what was done since 33 years of Mathius Shadow-Sky original music creation. The function of the centrebombe.org website made by users, is to feed for free anonymous customers (we know that there is approximatively 100 albums downloaded per month at centrebombe.org). But is it enough?

Also "Internet network is not free (but it should be): I have to pay personally for this permanent presence: pay my name (the domain name), pay to park my music works for you to download it for free out of commercials. To pay for you to get knowledge for free isn't it a paradox?"

"I have touched the limit of enjoyment (by feedback absence): and I am asking you, anonymous users, what I have to do? Tell me: centrebombe@yahoo.com or just an email telling: Thank You"
[February 2012]

since 1996:
Mathius Shadow-Sky is building another age for symphonic music
with the Trans-Cultural Syn-phônê Orchestras from the world

The last attempt to gather 100 musicians from all genre in an orchestra for an original symphonic music creation, was in Berlin in 2007. The economic censorship was too strong for Mathius Shadow-Sky to fight, and makes him forced to cancel the project. Many TCSO are waiting around the world since 1997.

Since 1981:
Mathius Shadow-Sky is building another age for opera:
Momus (1981), Test-Aimant (2004), La Farsa Humana (2005), No Things (2001),
De l'Extase la Musique Extreme (2007), Les Rescapés de l'Hégémonie Culturelle (2008), Bellone the Slope of War (2014),

The time of opera are not done like most of composers like to say by lack of access to the means. Opera today is still performed and thought like in XIX century: in the same opera house with the same education in classical school of music. For an original alive composer, it is a nightmare. The way to make a different opera form, is to leave the opera house, and work without the unlimited means of the genre made for the glory of rich people exploiting poorness.

1980-2007: the history of the Lamplayer 3000 BC to 2007 AD

To create a musical instrument from an usual object with a result of sophisticated music from 5000 years sounding calandar was a way to demonstrate that original music can come from everything: not only from avant-garde and technology.

Since 1995 Mathius Shadow-Sky, thanks to Gyorgy Kurtag jr, appeal to re:compose music from XX century contemporary composers calls :

XX Century Contemporary Composers Re:composed by the next generation of composers

A tribute to these XX century composers who was free to compose and release their works among an enthusiastic audience: the major lack of our next generation that fights mostly against censorship.

FONDATION ANTI-SACEM [PAGE OFFICIELLE]

The consequences of: royalties thief, the thief of artists copyright, the obligation for artists to pay their own royalties to publish their works, the propaganda prosecution as criminals against artists giving their own works for free on the Internet, and so on; make that Mathius Shadow-Sky creates in 2003 a sign of recognition about copyright abuse with a book of many examples that prove copyright paradox: music and property does not work together. SACEM is in France the most important private company collecting royalties for music where Mathius Shadow-Sky is a member since 1980. In 2004 he asked for his resignation, but the SACEM ignore its demand and continue to collect his royalties without paying him.

Dans le ciel, le bruit de l'Ombre [livre en évolution]
MANIFESTE POUR LE SOULEVEMENT SONIQUE DE SA JEUNESSE

Like most of composers and musicians that accumulate a huge amount of knowledge by their specific research and experiences, Mathius Shadow-Sky starts to assemble his writing in 2007 about music technique for music composition, but in 2008, by a circumstance of cultural political abuse, he starts to try to understand the links between original music creation and politic power, the fight between artists and politicians: the origin of censorship. The book is written in French, not yet translated in English.

As a part of the book, here is:
53 unoctavian shadow-sky music scales ready to use

As a part of the book, here is:
Le Journal Vigilant d'Exemples Médiocratiques [2006-2011]

Try with real examples to understand how our societies are manipulated intentionally by ourselves to stay in the ignorance and in the illusory protection against illusory enemies. Written in French, not yet translated in English.

Autres Ecrits - Other Text non attached to the book

(English & French) et critiques de livres
pour essayer de comprendre de quoi il est question.
to try to understand what everything is about.

As a part of the book, here is:
Le Mouvement du Monde [start 2012-

After Le Journal Vigilant d'Exemples Médiocratiques (The Vigilant Diary of Mediocratic Examples) the World's motion, we open another box to question and try to understand the fondations of our societies. Written in French.