“What is recorded music? A type of music you listen through loudspeakers. Converted vibrations into electricity and reconverted in vibrations by the typical loudspeakers diaphragm. All converted vibrations (of music) are restored by the only one model which it is: the loudspeakers and its diaphragm. All different “genre” of music are passing through this one medium model. Logically all vibrations produced by loudspeakers should becoming from the same family. It is why there is no distinction among all listenable recorded music: as genre distinction. All music listened through loudspeakers was passing through the audio range: the family name for recorded music should be: loudspeakers music. The loudspeaker is the end of the range. There is no necessary distinction of style inside recorded music. But recorded music would be more intends for archives: to keep the memory of what historical musical activity was practised: to give an idea to future generations. Archives grows up humankind historical memory. And that process fixed permanently the music for ever: it will never change. The one way to change is to be re:composed by today’s artists which use recorded music as a sound material to create their own recorded music. The difference between live music and recorded music is enormous: recorded music is a testimony, a souvenir of what we imagine it could be (most of us was not at the live performance). Live music is what it is now. Recorded music drive us to think how and what it could be. We are touched and we excite our own imagination with what it could be music: our growing up lacks. Lacks in chain endless repeated. Recorded music generates in us gigantic lacks of needed present, transformed in a simulated orgasm built by our imagination driven by recorded music. Recorded music stays in souvenir context and made up souvenir, like an old photo of your family: an improbable dream generator, like fallacious commercials. With recorded music we are living in the past: in “schizophonia”: a temporal permanent displacement: in a de-contextualization, a time marker of non sense. We generate an imaginative past to recreate lost pleasures. With live music we have the pleasure of the present here and now. Present is the guard of health mind, but we are living in our past... in recorded world: in a gap of frustrations.” Qu'est-ce que la musique enregistrée ? Un genre de musique que l'on écoute à travers des haut-parleurs : une chaîne de reproduction. Des vibrations converties en électricité et reconverties en vibrations par le diaphragme typique du haut-parleur. Toute vibration convertie de musique est restaurée, par un seul modèle qui est : le haut-parleur. Tous les différents « genres » de musique traversent ce seul médium : le haut-parleur. Logiquement, toutes vibrations produites par un haut-parleur sont de la même famille. C'est pour cela que nous comprenons qu'il n'y a pas de distinction possible entre les écoutes des musiques enregistrées : en genres distingués. Toute musique écoutée à travers des haut-parleurs passe à travers le filtre de la chaîne de reproduction : le nom de famille de la musique enregistrée devrait être aussi : musique de haut-parleurs. Le haut-parleur est le bout de la chaîne de la reproduction sonore. Il n'y a aucune nécessité à distinguer les différents styles de la musique enregistrée puisqu'elle n'est qu'un souvenir (enregistré) reproduit pour soi dans l'écoute privée. La musique enregistrée est plus destinée à l'archivage (le souvenir fabriqué pour l'histoire) pour garder en mémoire l'histoire de la pratique musicale destinée aux générations futures. N'est-ce pas une illusion ? Les archives encombrent la mémoire historique de l'humanité. Ce procédé fixe la musique pour l'éternité qui ne changera jamais. N'est-ce pas une illusion ? La seule façon de changer cela est d'être re:composé par les artistes du présent qui utilisent la musique enregistrée comme matériau sonore pour créer sa propre musique. La différence entre la musique enregistrée et la musique vivante est sans commune mesure : la musique enregistrée est un testament, un souvenir fabriqué ce à quoi on pourrait imaginer comment c'était (en général et majoritairement nous n'avons pas assisté à cette musique en concert). La musique vivante est ce qui se passe à vivre maintenant. La musique enregistrée nous conduit à imaginer ce à quoi cela aurait pu être. Nous sommes touchés et nous excitons notre propre imagination de ce que pourrait être cette musique : une culture de nos manques en développement. Nos manques en chaîne répétés sans fin. La musique enregistrée génère en nous des absences, des frustrations, des besoins de présences, que l'on transpose à des orgasmes imaginaires et simulés. La musique enregistrée reste dans le contexte du souvenir et en fait un souvenir, comme une vieille photo de famille : un générateur de rêves improbables comme les publicités fallacieuses. Avec la musique enregistrée, nous vivons dans le passé : dans une « schizophonie » : en déplacement temporel permanent : dans une décontextualisation, avec des repères temporels inutiles. Nous produisons un passé imaginaire pour entretenir des plaisirs perdus. Avec la musique vivante, le plaisir est ici et maintenant. Le présent est le gardien de la santé mentale, mais nous vivons dans le passé... dans un monde enregistré : dans un gouffre de frustrations.  mathius shadow-sky, 1996.

 

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mathius-shadow-sky-unexpected-waves-production: centrebomb Ob-CD catalog

 

MYSTER SHADOW-SKY - CAUCHEMAR ATOMIC [NOVA MUSICA?] . Music for 5 electric guitars perform by three different musicians for three different music from the same family: the atomic cucumber of new music. Musicians are invited to joint the 3 of them: myster shadow-sky, stephane marcaillou, cyril marche. Grab the music score in pdf here and return your performance in the centre of the bomb. #ObCD 00-79 - (now) 15:25

THE LAMPLAYER - LUDUS MUSICAE TEMPORARIUM . First music of the lamplayer 5000 years after with a common object: an architect lamp not prepared playing the Game of Time. # ObCD 01-80 - 55:13.

MYSTER SHADOW-SKY - IT IS IMPOSSIBLE TO GIVE A TITLE TO THIS PHENOMENON BECAUSE THE INEXPRESSIBLE BEYOND THE EXTREME EDGES OF SPACE AND TIME HAS NO NAME . Music for classical guitar played with long wood-stick-bow technique: the arco-guitar-couchée + BORING SPACE: 10 years after remix with the Digital Interactive Noise Random system. # ObCD 02-83 - 60:41.

MYSTER SHADOW-SKY - DïNGX . Music on 3 original Bauhaus Musical Instruments: the Fonics built by the Bauhausian Jean Weinfeld. # ObCD 03-85 - 51:50.

ONO LULU filharmonia - JE SUIS D'AILLEURS . Music with the Polish orchestra Ono Lulu Filharmonia and guest opera singer: Miss Justina Jarzabek. # ObCD 04-86 - 55:32.

MYSTER SHADOW-SKY - 6SSSSSSX+2eX . 8 extreme solo musical studies with different sound tools like: FM radio, sponge, mouthpiece, trombone without mouthpiece, musical instrument for tourist: drum from Africa, old EMS synthesizer, cheap electric guitar, laughs, etc. # ObCD 05-79/86 - 52:22.

MYSTER SHADOW-SKY - LES EXPLORATIONS DE PAROLES SAINT-ETHIQUES . Saint-phonic music and songs with 9-tone strange electric guitar. # ObCD 06-87 - 63:24.

ONO LULU filharmonia - LA COMMEDIA DEL SUONO . Music with the Polish orchestra Ono Lulu Filharmonia and guest opera singer: Miss Olga Szwajgier. # ObCD 07-88 - 52:58.

TRIO FONICS - BAUHAUS NEOFONIC . Chamber music composed by Myster Shadow-Sky & Pierre Bastien for the Trio Fonic and played on 12 original musical instruments from Bauhaus built by the Bauhausian Jean Weinfeld. # ObCD 08-90 - app. 30:00.

MYSTER SHADOW-SKY - OPERA [TION] DELLA BOCCA D'AMORE . in memoriam Demetrio Stratos. Shadow-Sky's voice pieces : "la Prière", "la Bouche", and "Pour en finir définitivement avec la religion". # ObCD 09-88/93 - 9:21.

MYSTER SHADOW-SKY & KARIOKA - 4 TABOO SONGS 4 KARIOKA THE DIVINE . Four songs with the Polish famous 70s TV actress: Karioka singing in French. # ObCD 10-92 - 23:35.

MYSTER SHADOW-SKY - STRANGE NIGHT WITH MYSTER SHADOW-SKY . Musique-concrète for body-moving. # ObCD 11-94 - 60:00.

MYSTER SHADOW-SKY - MANGE . Shadow-Sky's solo voice live transformed by computer tools & device. # ObCD 12-94 - 25:09.

MYSTER SHADOW-SKY - LA FARSA DEL SONIDO . [12-tone short version]. Music for 7 keyboards, 2 trumpets, 2 trombones, strings, choir and percussion. # ObCD 13-94 - 10:22.

LE QUATUOR DE GUITARES DE FORGUES - l'HISTOIRE INCROYABLE DE RANGOUN KLOBLAR . The accidental recording was done after the first movie of Philippe Lacote at the recording studio of le centre de la bombe in Forgues (France). They was three acoustic guitar players waiting and mathius shadow-sky decided to play "the incredible story of Rangoun Kloblar" with all of them. The engineer recorded the session with two microphones somewhere in the studio but not in front. And this is it, the saved session of Rangoun Kloblar story. 1995 accidental recording from "4 forgotten musicians" # ObCD XX-95 - 28:05.

THE LAMPLAYERS - 5000 YEARS AFTER, MUSIC FROM THE GENOSCOPIC KALANDAR . Music from the clay tablet: the Genoscopic Kalandar discovered in the Indus Valley and dated from 3000 BC. Music played by 2 Lamplayers 5000 years after. # ObCD 14-95 - 60:24 + 43:51.

MYSTER SHADOW-SKY - 6 000 000 000 DE VOIX SANS AIR . Music with sampled voices from Palestrina to Shadow-Sky. # ObCD 15-91/96 - 42:17.

TRANS-CULTURAL SYN-PHONE ORCHESTRA - SYN-PHÔNÊ NO1 . Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra de Forgues #1 [25 musicians]. # ObCD 16-96 - 63:18.

THE LAMPLAYERS - aLIVE IN NEW-EUROPE AD . Second album live of 2 Lamplayers 5000 Years After. # ObCD 17-97 - 49:19.

S.P.O.R.T. - TO BE DEFINITIVELY DONE WITH RELIGION . S.P.O.R.T.'s opera trash rebellious music with drum'n bass'n guitar with Don [drum], MarkAnge [bass guitar] and Shadow-Sky [9-tone electric guitar'n composition]. # ObCD 18-97 - 63:16.

TRANS-CULTURAL SYN-PHONE ORCHESTRA - SYN-PHÔNÊ NO2 . Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra de Forgues #2 [83 musicians]. # ObCD 19-97 - 66:23.

MYSTER SHADOW-SKY & ALOOF PROOF - ALOOF SKY IS THE PROOF OF SHADOW . Distorded noisy music with Shadow-Sky playing the Blue Sky Cellocubic and Aloof Proof playing electro-guitar. # ObCD 20-97 - 56:20.

MYSTER SHADOW-SKY - KNOTS SYSTEM IN MIAMI . Multicultural music with a couple of speakers (Maritza & Sharon) saying text of Ronald D. Laing from his book "Knots". # ObCD 21-98 - 54:07.

MYSTER SHADOW-SKY - THE RAW VOICE OF COOKED EXILE . Mathius Shadow-Sky in his 3 years of exile (1999-2001), released this album in Rio de Janeiro. He compiled technoïfied brazilian rhythms with his raw voice singing.and cloning. # ObCD 24-00 - 71:03.

MYSTER SHADOW-SKY - INFECTED OR IMPERFECT LIFE? . A body pressure live act music, an album recorded for DJs to be mixed for dance floor mass with a live batucada. And incomplete music for dance floor, 161 bpm 66:16 mn set 4 dj 2 mix, to be mixed with other sounds and music. # ObCD 26-99 - 61:16.

MYSTER SHADOW-SKY - OH! A SHADOW IN THE SKY . Electronic dance floor music made with friend's PC in 1998 and 2000, including the famous: Sensual Music for Brazilian Pot Smokers made in 2000 in Rio de Janeiro. # ObCD 25-98/00 - 41:33.

MYSTER SHADOW-SKY - 23 MINIATURES FOR TV . Electronic 50 sec pieces of music for TV programmes. # ObCD 27-02 - 23:00

WIND OF SKINS - WE SPEAK WHALES' SONG . Night music for asleep cities. Silent music played by Myster Shadow-Sky [trumpet in C] + Jorge Ribeiro [bowed doublebass] in Rio de Janeiro 2000. # ObCD 32-00 - 64:20

MYSTER SHADOW-SKY - ORPHANED MUSIQ ORPHELINES . 13 lonely pieces found between 1987 to 1999 in a trash: is that trash music? Or orphans family like we are most in our white world? # ObCD 31-01 - 77:37

THE LAMPLAYER AND THE MACHINES - TI.ME HAS NO AGE . 4rth lamp music album. Double concerto for lamp, voice and orchestra of 161 lamps. Double CD: first one with complete music and second one with orchestra only. Recorded at Coloursound Studio in August & October 2003: sound engineer & producer: Garp. # ObCD 33-03 - 74:07

MYSTER SHADOW-SKY - JEUX (&) INTERDITS . Quadra Teub-System principle for cloned 9 tone electric guitar, drum and orchestra, a concerto for voice, and 9 tone electric guitar. # ObCD 34-02 - 16:59

. MYSTER SHADOW-SKY - 3 CONTES POUR ENFANTS . Myster Shadow-Sky raconte en musique : loulou, un héros, et deux grenouilles. # ObCD 30-03 - 20:52

MYSTER SHADOW-SKY - WAITING MUSIC FOR BORING ROOMS . Impersonal denoised computer music for impersonal places = sonic installations for boring rooms 1993, 2002, 2004. # ObCD 35-04 - 157:21

MYSTER SHADOW-SKY - LE REVE DES FEMMES-POISSONS . Sonic installation where the music is hidden by the sound of continuous water: a mask. # ObCD 36-04 - 62:09 {no indexes]

S.P.O.R.T. - TO BE DEFINITIVELY DONE WITH DEMOCRACY (2005 garage version) . 4 titles garage album recorded in June with drum' n guitar at Cesam recording studio. # ObCD 37-05 - 30:19

THE LAMPLAYER AND THE MACHINES - INSIDE OF MY ALIVENESS . The 2005 / 2006 Lamplayer & the Machines tour. Here, the end of the Villefranche performance was recorded. Pictures are from Berlin performances. # ObCD XX-06 - 33:08

THE SHADOW-SKY-ENSEMBLE #1 - LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES, episode 1 . hA_vec : Myster Shadow-Sky (compositeur, chef d'orchestre, lampe archisonique, voix, trompette, clavier et autres instruments), Hélène Sage (objets sonores), Donus (percussions), Alexandre Piques (percussions), Fedaden (ordinateur sonique), No I.D. (ordinateur sonique), Stéphanie Marchesi (soprano colorature, clavier), Pierre Cuffini (Cristal & Structures Sonores Baschet), Caroline le Méhauté (hang et installation plastique), Rénaldo Gournier (sonorisation spatialisée & enregistrement audio). #live.rec.14sept2005 # ObCD 38-05 - 2:07:26

THE SHADOW-SKY-ENSEMBLE #2 - LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES, episode 2 . hA_vec : Myster Shadow-Sky (compositeur, chef d'orchestre, arco-guitar, lampe archisonique, trompette, ordinateur & autres instruments), Dominique Regef (violoncelle & vielle à roue), Saïd Daou (viole de gambe), Alix Quéritet (contrebasse), Guillaume Gendre (contrebasse), Christophe Calastreng (guitare électrique), Cyril Marche (ghimbri, tampura & Ashbory basse), Stephan Garcia (guitare basse), Hervé Richaud (guitare basse), Iris Lancery (mezzo soprano), Eric Volpatti (percussions). #live.rec.12oct2005 # ObCD 39-05 - 1:18:49

THE SHADOW-SKY-ENSEMBLE #3 - LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES, episode 3 . hA_vec : Myster Shadow-Sky (compositeur, chef d'orchestre, trompette, synthétiseurs, guitare électrique, voix crooner et autres instruments), Masako Ishimura (flûtes), Fanny Sauvageot (flûte), Elisa Trocmé (clarinette et clarinette contrebasse), Anaïs Andret-Cartini (trompette, trompette à coulisse, flûte, voix), Alix Quéritet (contrebasse), Hélène Sage (objets sonores, voix), Iris Lancery (mezzo soprano), Maylis Isabelle Boufartigue (comédienne), Stéphanie Marchesi (soprano colorature & guitare basse électrique), Laetitia Dutech (batterie), Christophe Calastreng (sonorisation & enregistrement audio). #live.rec.19nov2005 # ObCD 40-05 - 1:37:23

THE SHADOW-SKY-ENSEMBLE #4 - LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES, episode 4 . hA_vec : Myster Shadow-Sky (compositeur, chef d'orchestre, pvc-sax, trompette, sampler, synthétiseurs, guytare, bali flute, voix et autres instruments), Yannick Puybaret (saxophone alto & tenor désaccordés), Thomas Fiancette (clariflûte & autres), Johann Bourquenez (claviers chercheurs de tons : 5/8eme), Alexandre Piques (percussions & drum), Henri Demilecamps (ordinateur sonique), Christophe Calastreng (sonorisation & enregistrement audio). #live.rec.14dec2005 # ObCD 41-05 - 1:16:37

THE ANTI-SHADOW-SKY-ENSEMBLE #5 - THE CENSORED ORCHESTRA (the LEZARDS ETRANGES DES UNIVERS IMPROBABLES episode 5, was not released) . hA_vec : Myster Shadow-Sky (rassembleur, propositeur, Cellocubic = violoncelle cubique du Bauhaus, Lampe Archisonique, guytare9 électrique, voix et autres instruments), Aloof Proof [UK] (guitare électronique), Masako Ishimura (flutes for "Ourdission"), S.P.O.R.T. with Myster Shadow-Sky (guitar), Donus (drum), Herve Richaud (bass guitar) & Roger Cazenave (synthesizer), Stéphane Marcaillou (électric guitar for "Cauchemar Atomic") , Jean-Pierre Albert (drum-percussion for "Quasi Mortal Bedroom"), David Segala (sonorisation quadriphonique), Christophe Calastreng (spatialisation quadriphonique et enregistrement stereo). #live.rec.11jan2006 # ObCD 42-06 - 2:18:10

MYSTER SHADOW-SKY & ALOOF PROOF - ALIVE IN UNBELIEVABLE UNIVERSES . Live recorded album the January 11th 2006 in Toulouse where Myster Shadow-Sky with Aloof Proof are recreating the world. # ObCD 43-06 - 52:30.

LES ENTREPRISES GLORIFIEES - LE FILM ROUGE . Live recorded album the June 21th 2006 at MixArt Myriss Toulouse with the Red World screening. EG are Donus (drum), Macrocoma (electronics), & Myster Shadow-Sky (archisonic lamp & voice). # ObCD 44-06 - 31:35 + 30:00.

MYSTER SHADOW-SKY - HELP inTension de secours . A concerto for double trumpet and 4 different orchestra: symphonic, insect, noise and, electronic. Performed by Myster Shadow-Sky as an appeal for wisdom to people that get crazy about human exploitation and submission against freedom. # ObCD 45-07 - 30:41 music & video

MYSTER SHADOW-SKY & L'EXTREME SONIQUE SANS CONCESSION REUNI - De l'Extase la Musique Extrême . A quasi- and erotic opera on Georges Bataille books for : the Women Screaming Choir (7 screamers), mezzo-soprano, 2 drummers, quadragraphic trombones set (4), electric contrabass, sonic computer, cello cubic, electro-guitar, analogue synthesizers, sampler, 9 ton electric guitar, speaking voice, singing male voice, quadraphonic P.A., video projection on 3 screens. Libretto by Mathius Shadow-Sky, Georges Bataille & Charles d'Orléans. Where we try to understand human life. # ObCD 46-07 - 183:92 music & video

MYSTER SHADOW-SKY & NICOBLAST - L'EXTREME SONIQUE SANS CONCESSION REUNI - le centrebombe 5 . An explosive drums and guitar music in 5 explosions. # ObCD 47-08 - 32 :12

MYSTER SHADOW-SKY - UN VOYAGE AU BOUT DU POSSIBLE DE L'HOMME . A foggy performance on human limits with Georges Bataille texts and Canceled music creation by a Toulouse theater director with no serious reason. The result gave a ghost music with missing musicians (the Female Screaming Choir, the blast drums, the cellocubic, the 9 tone electric guitar, the arcoguitar, and the fog environment: a solo orchestral machine music reduced from hexaphony to stereophony. # ObCD 50-08 - 42:44

MYSTER SHADOW-SKY - RECONCILIATION . Spiritual electronic music with the vibration of Universe. # ObCD 51-09 - 41:00

MYSTER SHADOW-SKY - LES COMPLICES DU SILENCE . Concerto for Organized Virtual Orchestra in quadraphonic space, meteor electric guitar, and others in center. With 4 VJs shooting slogans surrounding the audience. # ObCD 52-09 - 61:00

MYSTER SHADOW-SKY - ASSEEEEEEEEEEEEEEEEEEEZ . a live act given by Myster Shadow-Sky during his illness in November 2010 with a solo analogue synthesizer (the Korg MonoPoly). The music as "Imperfect Or Infected Life" in 1999 is to be mixed with other music and sounds.. # ObCD 54-10 - 65:15

 

 

r e c o r d i n g s - i n - p r o g r e s s

records In Progress

. L'EXTREME SONIQUE SANS CONCESSION REUNI - NEW WORK . New work with blast drums, the Screaming Female choir, cello, violin, 251 tone electric guitar, OVO the virtual computer orchestra, and suspended metal drone;

. MYSTER SHADOW-SKY - TEST-AIMANT . Opera for one human voice, two virtual voices, artificial voices & 13 cloned voices.

. THE LAMPLAYER & THE MACHINES - unISOLATED & unDUPLICATED the recipe of freedom . The purpose is to create an arena lamp orchestra where the listener is in the middle to understand the isolation and duplication of totalitarian politics.

. S.P.O.R.T. - TO BE DEFINITIVELY DONE WITH THE WHITE HEGEMONY . 3rd album of the band.

. MYSTER SHADOW-SKY - TRANS-CULTURAL MUSIC IN BALI . Music with Ketut Pasih from Tejacula, ambiences played and composed and recorded in Bali, May 2002. # ObCD 28-02/03

. the TRANS-CULTURAL SYN-PHONE ORCHESTRA - SYN-PHONE NO3 "nos Traces de Vie à Titre Provisoire, [trans-form 13-47]"

. MYSTER SHADOW-SKY - PIANO WORKS (1983/2003) . Pianos music: "3 Ephémérôdes cardent quelques chrônes partis du milieu de la bombe", "Le Piano peut-il Sonner sans les Noirs ?", "Jeux Interdits (pianos version)", # ObCD 29-03

 

 

 

c o l l e c t i v e - p r o j e c t s

 

mathius-shadow-sky-unexpected-waves-production centre bomb collective Ob-CD catalog

KARLHEINZ STOCKHAUSEN RE:COMPOSED vol.1.01 . Karlheinz Stockhausen's pieces are re:composed by 12 composers who are PVH, Matthew Ostrowski, Andrea Martignoni, Alfred Harth, Falter Bramnk, Nicolas Brasart, David Fenech, Toy Bizarre, Acapulco Laps & le Vieux Thorax, Techtel Mechtel and Myster Shadow-Sky the initiator of the project. # ObCD 23-96/03 - 73:19.

PIERRE HENRY RE:COMPOSED vol.2.01 . Next re:composed project # 2: Pierre Henry pieces are remixed today by 3 composers who are Fedaden, Richard Riewer, and Falter Bramnk: we are waiting for the others...

EDGAR VARESE RE:COMPOSED vol.3.01 . Next re:composed project # 3: Edgar Varèse pieces are remixed today by 5 composers who are Falter Bramnk, Alain de Filippis, Laurent Dailleau, Igor Stevanovic, Dick Acidsoxx. We are waiting for the others...

IANNIS XENAKIS RE:COMPOSED vol.4.01 . Next re:composed project # 4: Iannis Xénakis pieces are remixed today by 2 composers who are [Alexis Bosch], Igor Stevanovic, 19, [Myster Shadow-Sky]. We are waiting for the others...

THE HOUSTON CCMM ARTCHESTRA . Music composed by the Collective Composers Music Makers from University of Houston with Chris Theofanidis, Kevin Patton, Robert Boston, Ron Ochoa, Eric Mc Entyre, and lead by Myster Shadow-Sky. # ObCD 22-98 - 53:48.

THE ................. CCMM ARTCHESTRA . Music composed by the Collective Composers Making Music. We are waiting for the next CCMM Artchestrâ... Universities, schools of music, etc, wake up! Time to share your capacities with other composers!

EXPERIMENTAL MUSIC FROM WORLD WO-MEN COMPOSERS vol.1.01 . wo-men's composers and music performers from all around the world. Each CD represents several different cultures. This first CD concerns the wo-men's composers and performers from all continents. An unexpected meeting of young women from all over the world who compose experimental music in the beginning of XXI century. The question is : what the new generation of women composer are doing ? And this CD will be the answer.

MODERN MUSIC FROM CHILDREN OF THE WORLD vol.1.01 Music for children by children. . Children's composers and performers from all around the world. Each album represents one (or more) country or city. The first album concerns the children's composers and performers from Miami USA conducted by Irene Valdez.

If you are interested to participate to one of these collective projects please contact Myster Shadow-Sky at centrebombe@yahoo.com

go to collective project page

 

o u t s i d e r s - p r o j e c t s

 

ALEXIS BOSCH - DIE KUST DES CHAOS (Paris) . Alexis Bosch composes, conducts, and plays piano with Roland Auzet, percussion and Michel Thousseau, double bass. He produced his CD for Le Disque du Centre De La Bombe. # ØbCD 2T5 - 56:50. 1996.

ESQUINA CARIOCA - AO VIVO (Rio de Janeiro) . Esquina Carioca is a Rio de Janeiro band lead by Jorge Ribeiro that plays Choro, Samba and traditional Brazilian music for pleasure. This CD was recorded by Mathius Shadow-Sky in May 2000 in Rio. # ØbCD O2-00 - 40:27. 2000.

 

 

t h e n

 

 

 

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How to dOwnload an entire ObCD
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Myster Shadow-Sky with Giancarlo Siciliano
decided to undertake different records collections
representing musical tendencies in the Centre of the Bomb:

SCIENCES & MUSIC A scientific contribution to the musical creation. Collection opened by Alexis Bosch. ex#1 ex#2 ex#3 EXPLORATOIRE All instrumental music played on one instrument: acoustic, electric, electronic, transformed one, a sound system, or an object as musical instrument etc. played by one musician. ex#1 ex#2 ex#3 ex#4 ... VOCE D'AMORE Music who explores and experiments the animals or human voices. ex#1 ex#2 ex#3 ex#4 ex#5 ex#6 POP SONG AT THE EDGE Propose an other-making-vocal-music songs where the texts have importance, a crucible for song exploration. ex#1 TRANSCONTEMPORARY WORLD MUSIC Represents the stream of music around the world through its proper contemporaneity, or in other terms the digestion of its own renewing independence of the occidental music's evolution. ex#1 ex#2 ex#3 MODERN MUSIC FROM WORLD WO-MEN COMPOSERS Support the works of wo-men's composers and performers from all around the world. Each CD represents one or more culture. The first CD concerns the wo-men's composers and performers from China, Japan & Korea. world wo-men composers' announcement page since 1996 OMAGGIO ALLA MUSICA CONTEMPORANEA Propose to different young composers, musicians, DJ, sound designer etc. to realize a RE:COMPOSITION (a digestion) of emphasis composer's piece from the XXth century contemporary music : 1rst homage : KARLHEINZ STOCKHAUSEN : CD "Karlheinz Re:composed"; 2d homage : PIERRE HENRY : CD " Henry Re:composed"; 3rd homage : EDGAR VARESE: CD "Edgar Re:composed"; etc. re:composed page FALSCHE TEKNO ABER BODY MOVING Techno music is a huge space of musical possibilities. Its basic is simple: give to people dancing with electronic sounds. Unfortunately an outside observer of Techno-movement remarks the different chapels or tribes of agreed particular fixed style which doesn't mixed between them. This collection is to make electronic dance floor music free of this point of view. ex#1 ex#2 ex#3 OPERA -TRASH Represents the renew of classical opera form without concession and respect of ancestral rules. ex#1 ex#2 ex#3 ex#4 ex#5 ex#6 ex#7 ex#8 ex#9

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Myster Shadow-Sky downloadable discography

les Arts de l'Etrange (events' management)
Who is Who at le Centre de la Bombe ?
mathius shadow sky's story in music
le Centre de la Bombe's h i s t o r y i d e o l o g y a n d f o u n d a t i o n
le Centre de la Bombe mapping page

le Disque du Centre de la Bombe™ = Bomb Center records™ = BC records™ = Before Christ records™