generous rebel & adventurous

PLEASE NOTICE THAT

Myster Shadow-Sky's    free given discography *

 

"MUSIC IS NOT A PRODUCT TO BE APPROVED (BY CUSTOMERS), MUSIC IS A MEDICINE [NOT A PAIN KILLER] TO OPEN OUR MIND."

 

1979 - 2021 = mathius fête ses 77 albums (et ses 60 ans)

 

LAST centrebombe free records RELEASED:
September 1, 2021: ATTRACTIO & REPULSIO, down here at OBCD 77
May day 1, 2021: SATURE, il fait fade ici, down here at OBCD 76
April 15, 2021: Respire!, down here at OBCD 75
March 21, 2021: 2021 Frozen Freedom, down here at OBCD 74
March 15, 2021: Les Guitares Volantes jouent Les Ephémèrôdes Cardeurs de Chrônes, down here at OBCD 73
December 1, 2020: Mysterium Aerium: the 3rd album by Les Guitares Volantes, down here at ObCD 72
October 13, 2020: The Extraaction of the Triumphant Ordinary Madness: 2d album by Les Guitares Volantes, down here at OBCD 71
September 1, 2020: Ni Bête ni Dieu ni monstres: 1rst album by LES GUITARES VOLANTES, down here at ObCD 70
March 11, 2020: Jeux Interdits's OVO, 2 versions: QUADRAphonic, and OCTOphonic [audio without the soloist for the soloist], down here at ObCD 35
December 1, 2019: VIVRE l'espèce humaine: 1rst historical electric guitar spatial music published for the domestic context, down here at ObCD 69
December 8, 2017: THE UNANSWERED & UNASKED QUESTIONS: silent forgetable music to think, down here at ObCD 68

 

 

Click the cover to download the album [in compressed zip or 7zip format container]
ANDOR
send a request andor a thank message by email to the composer

 

*
People are asking me: "why are you giving for free your records?"
The answer is simple: I am calling the music lovers, who desappeared
at the end of the 70s, in the 20 century.
But since 2004, the starting date of giving for free all my records on the Internet
and since 1997 with the centrebombe audio archives,
No one, neither music lover, is answering my call telling they exist!
Even if there is almost one million people downloading my records!
How is it possible?
Implies that: How could I sell records to nobody?
                   Also, I am a composer, not a dealer.
                   True artists have nothing to sell: but to give their art for free.

me - Are you ready to pay 120 euros for 2 audio files?
you - No.
me - Well, you have your answer to your question.

- Free is a way to cure our seek societies.
- How societies can be seek?
- Societies got seek when fear invades peoples' mind.

 

 

cauchemar atomic (cover small)
MYSTER SHADOW-SKY WITH FRIENDS
CAUCHEMAR ATOMIC [NOVA MUSICA?]

#ObCD 01-1979 - 15:25 (for now) [single MONOs of PENTA orchestra]
of electric guitar music
. Music for 1 to 500 electric guitar orchestra, performed solo by three different musicians giving three different music from the same score: "an atomic cucumber of new music". Others, musicians are invited to joint the 3 interpretation on this album: Myster Shadow-Sky (1979), Stephane Marcaillou (2006), Cyril Marche (2007). score, English presentation, présentation en français.

 

Ludus Musicae Temporarium (cover small)
MYSTER SHADOW-SKY
LUDUS MUSICAE TEMPORARIUM
by the LAMPLAYER
# ObCD 02-1980 - 55:13 [DODECA reduced to MONO]
of playing protohistoric music with an object as a musical instrument from the indusian Genoscopic Kalandar dated back to 4980 BC
Revolutionnary protohistoric music performed by 1 Lamplayer 4980 years after the indusian clay tablet with a common lighting springs object: a balanced-arm lamp not prepared as a ready-made archisonic lamp performing the Game of Time (the latin Ludus Musicae Temporarium). Transcription of the Indusian scores and the Greek and Roman Antic game: the Ludus Musicae Temporarium: 1980 version, 1985 version, stage design ARC 1981-1983, revisited unfinished 1990 game rules (in French). presentation page. Start the Lamplayer protohistory to AD 2007.

 

It is impossible... (small cover)
MYSTER SHADOW-SKY
IT IS IMPOSSIBLE TO GIVE A TITLE TO THIS PHENOMENON BECAUSE THE INEXPRESSIBLE BEYOND THE EXTREME EDGES OF SPACE AND TIME HAS NO NAME

# ObCD 03-1983 - 60:41 [OCTO reduced to STEREO]
of stepping in a strange world of unknown music
Music for one classical guitar performed with long wood-stick-bow technique: the arco-guitar-couchée: a spectral music solo with original technique to sound massive + BORING SPACE: 10 years after remix with the Digital Interactive Noise Random system. 1rst presentation page.
présentation approfondie, analyse et partition (score).

 

Dingx (cover small)
MYSTER SHADOW-SKY
DïNGX

# ObCD 04-1985 - 51:50 [STEREO]
of the first Bauhaus original music ever
Music on 3 original Bauhaus Musical Instruments: the Fonics built by the Bauhausian Jean Weinfeld. presentation page.

 

Je suis d'Ailleurs (cover small) 2d cover of the 2d publishing je suis d'ailleurs 1986-2016
ONO LULU FILHARMONIA     
JE SUIS D'AILLEURS

# ObCD 05-1986 - 55:32 [STEREO]
of deep invested music
for its 30 years anniversary 1986-2016: a remasterization with much much better sound
Music with the Polish orchestra Ono Lulu Filharmonia: Michal Zduniak († 2009): drums, Tadeusz Sudnik: EMS synthi AKS, Myster Shadow-Sky: all other musical instruments and composition; with the guest opera singer: Miss Justina Jarzabek.
presentation page.

 

6ssssssex+2ex (cover small)
MYSTER SHADOW-SKY
6 SSSSSSeX+2 eX

# ObCD 06-1979/1986 - 53:47 [STEREO]
of sexual noises
7 extreme explorations of 7 solo musical scores with different sound tools and objects, like: FM radio, sponge, mouthpiece, trombone without mouthpiece, fake musical instrument for tourist: drum from Africa, EMS VCS3 synthesizer, cheap electric guitar, laughs, etc.
presentation page. partition.

 

Les Exploration de Paroles St Ethiques (cover small)
MYSTER SHADOW-SKY
LES EXPLORATIONS DE PAROLES ST-ETHIQUES

# ObCD 07-1987 - 63:24 [MONO]
of guitar exploration
Saint-phonic music and songs: with solos with the nonoctave 9-tone strangeing electric guitar
. presentation page. accord de la guitare meteor, nonoctave tuning.

 

La Commedia Del Suono (cover small)
ONO LULU FILHARMONIA     
LA COMMEDIA DEL SUONO

# ObCD 08-1988 - 52:58 [STEREO]
of deep invested music
Music with the Polish orchestra Ono Lulu Filharmonia: Michal Zduniak († 2009), drums & percussion; Tadeusz Sudnik, EMS AKS synthi; Marcin Krzyzanowski, cello, piano; Myster Shadow-Sky, all other musical instruments and composition; and the guest diva opera singer: Miss Olga Szwajgier
. presentation page.

 

Bauhaus Neofonic (cover small)
THE TRIO FONIC           
BAUHAUS NEOFONIC

# ObCD 09-1990 - 34:21 [STEREO]
of pleasant chamber music
Chamber music composed by Myster Shadow-Sky & Pierre Bastien for the Trio Fonic who performed (1989-1990) on 12 original musical instruments from Bauhaus built by the Bauhausian Jean Weinfeld. Trio Fonic web page.

 

Opera [tion] della Bocca d'Amore (cover small)
MYSTER SHADOW-SKY
OPERA [TION] DELLA BOCCA D'AMORE

# ObCD 10-1988/1993 - 9:21 [STEREO]
of raw voice
in memoriam Demetrio Stratos.
3 voice pieces performed by Myster Shadow-Sky: "la Prière", "la Bouche", and "Pour en finir définitivement avec la religion". presentation page.

 

4 Taboo Songs 4 Karioka the Divine (cover small)
KARIOKA + MYSTER SHADOW-SKY
4 TABOO SONGS 4 KARIOKA THE DIVINE

# ObCD 11-1992 - 23:35 [STEREO]
of songs
Four songs with the Polish famous 70s TV actress: Karioka (
Agata Siecinska) singing in French. presentation page.

 

Strange Night with Myster Shadow-Sky (cover small)
MYSTER SHADOW-SKY
STRANGE NIGHT WITH THE SHADOW-SKY
MYSTERY
# ObCD 12-1994 - 60:07 [STEREO]
of "musique concrete" to dance
Musique-concrète for body-moving. presentation page.

 

Mange (cover small)
MYSTER SHADOW-SKY
MANGE

# ObCD 13-1994 - 25:06 [STEREO]
of transformed raw voice
Eat, eaten, Shadow-Sky's solo eating voice in a live performance transformed by computer tools & devices (photo portrait by Agata Siecinska). presentation page.

 

La Farsa Del Sonido (cover small)
THE ISTANBUL ORCHESTRA + MYSTER SHADOW-SKY
LA FARSA DEL SONIDO

# ObCD 14-1994 - 22:10 [STEREO]
of 2 time orchestral music
[11:11, 12-tone short version]. Music for 7 keyboards, 2 trumpets, 2 trombones, strings, choir and percussion. presentation page.
+ 10:59, 19 nonoctave keyboards (2017 version).
1992 : musique symphonique exportée pour désoccidentaliser l'Occidental.

 

new and first cover of the 1995 2 lamplayers album the 1rst cover replaces the 2de cover: 5000 Years After, Music from the Genoscopic Kalandar (cover small)    
2 LAMPLAYERS 5000 YEARS AFTER      
5000 YEARS AFTER, MUSIC FROM THE GENOSCOPIC KALANDAR

# ObCD 15-1995 - 60:24 + 43:51 [STEREO]
of 3 millennia before Christ music with 2 Lamplayers
Music from the Mohenjo-Daro clay tablet: the Genoscopic Kalandar discovered in the Indus Valley in 1924 and dated back to 3000 BC. Music performed by 2 Lamplayers 5000 years after in 1995. presentation page. 50 centuries of protohistoric music. starting intersection page.

new and first cover of the 1995 lamplayers album
the Book of the Lamplayers
:
20 years after the reissue: 2015 publishing of the 1995's release

 

6 000 000 000 de Voix Sans Air (cover small)
MYSTER SHADOW-SKY
6 000 000 000 DE VOIX SANS AIR

# ObCD 16-1991/1996 - 43:42 [STEREO]
of historical voices
Music with sampled voices from Palestrina to Shadow-Sky. presentation page.

 

Synphone NO1 (cover small)
THE TRANS-CULTURAL SYN-PHÔNÊ ORCHESTRA      
SYN-PHÔNÊ NO1

# ObCD 17-1996 - 63:18 [STEREO]
of symphonic music
Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra of Forgues #1 [25 musicians]. presentation page. "Myster Shadow-Sky is a pioneer. He is the first composer who creates the extra large free multigenre and multicultural symphonic orchestra."

 

2 Lamplayers Alive in New-Europe A.D. (cover small)
2 LAMPLAYERS 5000 YEARS AFTER      
2 LAMPLAYERS aLIVE IN NEW-EUROPE AD

# ObCD 18-1997 - 49:18 [QUADRA reduced to STEREO]
of 3 millennia before Christ music with 2 Lamplayers
The second album of the archisonic lamp protohistoric music, 2 Lamplayers 4997 Years After live in 1997 (after Mohenjo-Daro, Pakistan: Rieumes, South of France). presentation page.

 

To Be Definitively Done with Religion (cover small)
S.P.O.R.T.
    
TO BE DEFINITIVELY DONE WITH RELIGION

# ObCD 19-1997 - 63:16 [STEREO]
of rock    for its 20 years anniversary: 2017 Resounded pure rock'n roll spirit from the nineties
S.P.O.R.T.'s political trash Opera'n rebellious electric music with no voice but with drum'n bass'n guitar. Musicians: Donus [drums], Mark Ange [bass guitar] and Myster Shadow-Sky [nonoctave 9-tone electric guitar'n composition]. presentation page.
[nonstereo music, playable on any loud speakers]

 

Syn-Phone NO2 (cover small)
THE TRANS-CULTURAL SYN-PHÔNÊ ORCHESTRA      
SYN-PHÔNÊ NO2

# ObCD 20-1997 - 66:23 [STEREO]
of symphonic music
Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra of Forgues #2 [97 musicians]. presentation page. "Myster Shadow-Sky is a pioneer. He is the first composer who creates in 1996 the first extra large free multigenre and multicultural symphonic orchestra: The Trancultural Syn-Phônê Orchestra."

 

Aloof Sky is the Proof of Shadow (cover small)
ALOOF PROOF + MYSTER SHADOW-SKY     
ALOOF SKY IS THE PROOF OF SHADOW

# ObCD 21-1997 - 56:20 [STEREO]
of the first premiere of the duo
Distorded noise music with Myster Shadow-Sky playing the Bauhaus Blue Sky Cellocubic and Aloof Proof playing electronic guitar. presentation page.

 

Knots System in Miami (cover small)
MYSTER SHADOW-SKY
KNOTS SYSTEM IN MIAMI

# ObCD 22-1998 - 54:07 [STEREO]
of one man music with 2 speaking women
Multicultural solo orchestral music with 2 speakers: Maritza & Sharon saying poems from Ronald D. Laing's book: "Knots" in Miami. presentation page.

 

The Houston CCMM Artchestra (cover small)
THE HOUSTON CCMM ARTCHESTRA
          
LOST VIBRATION IN HOUSTON
# ObCD 23-1998 - 53:48 [STEREO]
of collective music
. Collective music composed by the CCMM the Collective Composers Music Makers from the University of Houston with: Chris Theofanidis, Kevin Patton, Robert Boston, Ron Ochoa, Eric Mc Entyre, lead and conducted by Myster Shadow-Sky. presentation page.

 

Karlheinz Stockhausen Re:Composed vol 1.01 (cover small)
FRIENDS
KARLHEINZ STOCKHAUSEN RE:COMPOSED vol.1.01

# ObCD 24-1996/2003 - 73:19 [STEREO]
of many recomposers
. Karlheinz Stockhausen's pieces are re:composed by 12 composers who are: PVH, Matthew Ostrowski, Andrea Martignoni, Alfred Harth, Falter Bramnk, Nicolas Brasart, David Fenech, Toy Bizarre, Acapulco Laps & le Vieux Thorax, Techtel Mechtel and Myster Shadow-Sky the initiator of the project. presentation page of re:composition project since 1996. presentation page of the album.

 

Tha Raw Voice of Cooked Exile (cover small)
MYSTER SHADOW-SKY
THA RAW VOICE OF COOKED EXILE

# ObCD 25-2000 - 71:03 [STEREO]
of exiled music
Myster Shadow-Sky in his 2 years of exile (1999/2000), released this album in Rio de Janeiro. He compiled technoïfied brazilian rhythms with his raw voice singing. presentation page

 

Oh! A Shadow in the Sky (cover small)
MYSTER SHADOW-SKY
OH! A SHADOW IN THE SKY

# ObCD 26-1995/2000 - 48:28 [STEREO]
of cheap PC electronic music
Electronic music to dance or not to dance and some strange lizards around. presentation page.

 

Infected Or Imperfect Life? (cover small)
MYSTER SHADOW-SKY
INFECTED OR IMPERFECT LIFE?

# ObCD 27-1999 - 61:16 [STEREO]
of digital device live performed
A body pressure music performance, a live act performed with grm (computer) tools recorded without the DJ who mixed a massive dance floor rhythms with for example a live batucada. An incomplete music for dance floor, 161 bpm 66:16 mn set 4 dj 2 mix, to be mixed with other sounds and music. presentation page.

 

23 Miniatures for TV (cover small)
MYSTER SHADOW-SKY
23 MINIATURES FOR TV? NAN

# ObCD 28-2002 - 23:17 of jingles [STEREO]
23 Electronic pieces with artificial voices from 0:21 to 2:23. Its function? to introduice TV shows. presentation page.

 

Bali, Transcultural Music? (cover small)
KETUT PASIH + MYSTER SHADOW-SKY
BALI, TRANS-CULTURAL MUSIC?

# ObCD 29-2002/2003 - 2:00 [STEREO]
of unundestandable exchange
Music with Ketut Pasih performed and recorded in Bali (Indonesia), short transcultural music.
[+ ambiences played and composed and recorded in Bali. Some pieces should be made with Falter Bramnk = not published yet]. presentation page.

 

Piano Works (cover small)
MYSTER SHADOW-SKY
PIANO WORKS
(1983/2003)
#ObCD 30-2000 of [STEREO]
piano music
Pianos music: "3 Ephémérôdes partis du Milieu de la Bombe" (2000 composition for 3 pianos requested by the Brazilian pianist Waldemar Reis); additional 4 nonoctave versions was created in 2010 are avalaible also at the centrebombe music archives free netlabel under the date of 2000, "Le Piano peut-il Sonner sans les Noirs ?" (Lost recording. The 4 hands score has the Brazilian pianist Fernanda Canaud), "Jeux & Interdits (2002 pianos version in waiting... what?)", the 1984 Ephemerodes music with the broken pianos ensemble was transfered to a pianomorph (a keyboard, its sounds and nonoctave scales in metamorphosis) recital in 2013, recorded in 2013/14 in 2 albums: 1 studio: ObCD62 and 1 live at Audio Art Krakow ObCD63 (available down below),

 

3 Contes pour Enfants (cover small)
MYSTER SHADOW-SKY
3 CONTES POUR ENFANTS

# ObCD 31-2003 - 20:51 [STEREO]
of 3 tails for children
. Myster Shadow-Sky raconte 3 histoires aux enfants en musique : "Loulou", "Un Héros", et "Deux Grenouilles".

 

Orphaned Music (cover small)
MYSTER SHADOW-SKY
ORPHANED MUSIQ ORPHELINE

# ObCD 32-2001 - 77:56 [STEREO]
of abandoned music in lonlyness
11 lonely music composed between 1987 and 1999. presentation page.

 

Wind of Skins: We speak Whale's Song (cover small)
WINDS OF SKINS
WE SPEAK WHALE'S SONG

# ObCD 33-2000 - 60:04 [STEREO]
of midnight music
Silent music with Jorge Ribeiro (bowed doublebass) and Myster Shadow-Sky (trumpet in C). Recorded in Rio de Janeiro during the deep night when the city is asleep. presentation page.

 

Ti.Me Has No Age (cover small)
THE LAMPLAYER AND THE MACHINE       
TI.ME HAS NO AGE

#ObCD 34-2003 - 74:03 [STEREO]
of the last Lamplayer's studio recording
Concerto for archisonic lamp, voice, and the orchestra of 164 archisonic cloned lamps. presentation page.

 

Jeux Interdits (cover small)
MYSTER SHADOW-SKY
JEUX
& INTERDITS
# ObCD 35-2002 - 16:59 [QUADRA reduced to STEREO]
of a concerto
Concerto for nonoctave 9-tone electric guitar, voice, bamboo flute, and OVO orchestra of drums and guitar clones. presentation page.
     2020 OVO [= Orchestre Virtuel Organisé] remixed for the (any) soloist:

     . QUADRAphonic version of the virtual orchestra [4 channel music with MIDI score and sampled instruments].
     . OCTOphonic version of the virtual orchestra including the ambiant sounds coloring the concert hall silence [8 channel music].

 

icon couverture pour l'entrevue de Mathius Shadow-Sky par Falter Bramnk en 2003
FALTER BRAMNK QUESTIONNE MYSTER SHADOW-SKY
# 2003 - 12:19 d'entretien.

 

Waiting Music for Boring rooms (cover small)
MYSTER SHADOW-SKY
WAITING MUSIC FOR BORING ROOMS
#ObCD 36-2004 - 5:16:31 [STEREO]
of boring background music (to color the emptiness of public places)
8 sound installations for boring spaces, based on WAITING MUSIC (ambiant, to mask our boredom) musical CONCEPT: 1993 (for outer space), 2002 (for train station, and for modern art museum), 2004 (for all kind of waiting rooms), 2005 (for cemetery, for space ship, and for artic cold basement). presentation page.

 

mini cover S.P.O.R.T. unreleased rehearsal 2004
S.P.O.R.T.    
UNRELEASED REHEARSAL

# ObCD 61-2004 - 30:03 [STEREO] of garage wild recording
Rehearsal music, state of S.P.O.R.T. in 2004, by the distorded trio of load electric music (with voice) with: Donus [drums], Myster Shadow-Sky [nonoctave electric guitar, voice], RV Richaud [bass guitar]. presentation page.

 

Le Reve des Femme-Poissons (cover small)
MYSTER SHADOW-SKY
LE REVE DES FEMMES-POISSONS
#ObCD 37-2004 - 62:09 [STEREO]
of water masking the composed music
Sound installation, for the artist Dorothée Sadowski, where the orchestral music composition is hidden by the continuous sound of water. presentation page.

 

To Be Definitively Done with Democratie (cover small)
S.P.O.R.T.    
TO BE DEFINITIVELY DONE WITH DEMOCRACY

# ObCD 38-2005 - 30:19 (2005 extract)
[STEREO] of rock music?
S.P.O.R.T.'s load music
operhardcore with no voice with: Donus [drums], and Shadow-Sky [9-tone electric guitar, synthi EMS VCS3 and composition]. presentation page
.

 

miniCoverCD_edogm003A-Various-Artists-vol1&2 May 2005
VARIOUS ARTISTS Vol. 1&2
eDogm edo003 released: May 1rst 2005.

The jazz piano player Johann Bourquenez produced a compilation of different musicians, friends from South of France, including Alex Piques, Contrabande, Zôôn, No Flute, Fasten Boalbus, Cannibales & Vahinés, Kirbi, Myster Shadow-Sky, Volvotraxx, Ferdinand Doumerc, Vincent Ferrand, Denis Fedabeille a.k.a. Fedaden, Sylvain Darrifourcq quartet, LeGyl, D'incise, 4.69 trio, Julien Taillefer. eDogm netlabel [acting from 2004 to 2009 with its still available collection of free records].

 

LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES
in 5 episodes by 5 different SHADOW-SKY-ENSEMBLE:
a 2005 saga of 10 hours urgent orchestral music
     Les Lezards Etranges des Univers Improbables: episode 1 (cover small)
     episode #1: september Shadow-Sky-Ensemble#1 with
Myster Shadow-Sky (compositeur, chef d'orchestre, lampe archisonique, voix, trompette, guitare électrique, flûtes, synthétiseurs et autres instruments), Hélène Sage (objets sonores), Donus (percussions), Alexandre Piques (percussions), Fedaden (ordinateur sonique), No I.D. (ordinateur sonique), Stéphanie Marchesi (soprano colorature, clavier), Pierre Cuffini (Cristal & Structures Sonores Baschet), Caroline le Méhauté (hang, verres, sanza, claves, thundertube et installation plastique), Rénaldo Gournier & Christophe Calastreng (sonorisation spatialisée & enregistrement audio).
#live.rec.14sept2005 # ObCD 39-2005 - 2:07:26 [QUADRA reduced to STEREO]
     Les Lezards Etranges des Univers Improbables: episode 2 (cover small)
     episode #2: october Shadow-Sky-Ensemble#2 with
Myster Shadow-Sky (compositeur, chef d'orchestre, lampe archisonique, arco-guitar, guitare électrique, électronique et autres instruments), Dominique Regef (violoncelle & vielle à roue), Saïd Daou (viole de gambe), Alix Quéritet (contrebasse), Guillaume Gendre (contrebasse), Cyril Marche (ghimbri, tampura & Ashbory basse), Christophe Calastreng (guitare électrique), Stephan Garcia (guitare basse), Hervé Richaud (guitare basse), Eric Volpatti (percussions : 14 ugal pelog, lithophone de galets, tubalus), Iris Lancery (mezzo soprano et divers instruments à cordes), No I.D. (enregistrement audio).
#live.rec.12oct2005 # ObCD 40-2005 - 1:18:49 [QUADRA reduced to STEREO]
     Les Lezards Etranges des Univers Improbables: episode 3 (cover small)
     episode #3: november Shadow-Sky-Ensemble#3 with
Myster Shadow-Sky (compositeur, chef d'orchestre, harpe colombienne, synthétiseurs Mono/Poly & TG77, guitare électrique 9 tons, voix crooner et autres instruments), Masako Ishimura (flûtes), Fanny Sauvageot (flûte), Elisa Trocmé (clarinette et clarinette contrebasse), Anaïs Andret-Cartini (trompette, trompette à coulisse, voix), Alix Quéritet (contrebasse), Hélène Sage (objets sonores, voix), Iris Lancery (mezzo soprano), Maylis Isabelle Bouffartigue (comédienne), Stéphanie Marchesi (soprano colorature & guitare basse électrique), Laetitia Dutech (batterie), Christophe Calastreng (sonorisation & enregistrement audio).
#live.rec.19nov2005 # ObCD 41-2005 - 1:37:23 [QUADRA reduced to STEREO]
     Les Lezards Etranges des Univers Improbables: episode 4 (cover small)
     episode #4: december Shadow-Sky-Ensemble#4 band with
Myster Shadow-Sky (composition, direction, pvc-sax, trompette, Bali flute, sampler, synthétiseurs, guitare electrique 9 tons, voix et autres instruments), Yannick Puybaret (detuned sax alt & tenor), Thomas Fiancette (flute & clariflute + fx pedal, speech), Johann Bourquenez (claviers chercheurs de tons, 5/8 tone keyboard), Alexandre Piques (percussions & drum), Henri Demilecamps (ordinateur sonique, sonic computer), Christophe Calastreng (sonorisation quadri & enregistrement audio, quadraphonic PA sys., live recording, quadraphonic spatialization & fx).
#live.rec.14dec2005 # ObCD 42-2005 - 1:16:37 [QUADRA reduced to STEREO]
     Les Lezards Etranges des Univers Improbables: episode 5 (cover small)
     episode #5: january Shadow-Sky-Ensemble#5 anti-orchestra with
Myster Shadow-Sky (rassembleur, propositeur, Cellocubic = violoncelle cubique du Bauhaus, Lampe Archisonique, guytare9 électrique, voix et autres instruments), Aloof Proof (guitare électronique), Alexandre Piques (manipulation de vinyles & électronique), Masako Ishimura (flûtes pour Ourdission), Roger Cazenave (guitare basse, synthétiseur pour S.P.O.R.T.), Hervé Richaud (guitare basse pour S.P.O.R.T.), Stéphane Marcaillou (guitare électrique pour Cauchemar Atomic), Christophe Calastreng (guitare électrique sampler), Jean-Pierre Albert (percussions & Quasi Mortal Bedroom drum), Donus (drum), David Segala (sonorisation et enregistrement quadriphonique).
#live.rec.11jan2006 # ObCD 43-2006 - 2:18:10 [QUADRA reduced to STEREO]
Presentation Page. RECORD BONUS : episode #1 + episode #2 + episode #3 + episode #4

 

Alive in Unbelievable Universes (cover small)
ALOOF PROOF + MYSTER SHADOW-SKY     
ALIVE IN UNBELIEVABLE UNIVERSES

# ObCD 44-2006 - 52:30 [STEREO] of unbelievable music                                    |10 years anniversary 2016 resounded
Live recorded album of the January 11th 2006 performance "state of the art of the massive noise music" in Toulouse at the Mandala where Myster Shadow-Sky with Aloof Proof were recreating another world in the unbilievable universes. presentation page.

 

Le Film Rouge (cover small)
THE GLORIFIED ENTERPRISES       
LE FILM ROUGE - THE RED MOVIE

# ObCD 45-2006 - 31:35 + 30:00 [STEREO] of
music & movie
Live album, recorded the June 21th 2006 at MixArt Myrys Toulouse with the 3 screening movie: The Red World. The band: Les Entreprises Glorifiees (the Glorified Enterprises) was composed with: Donus (drums), Macrocoma (electronics, Laurent Pifinger † 2013), & Myster Shadow-Sky (archisonic lamp, voice & movie editor). presentation page. Expérience unique experience.

 

HELP inTension (cover small)
MYSTER SHADOW-SKY
HELP inTension de SECOURS

# ObCD 46-2007 - 30:41 [QUADRA reduced STEREO] of concerto music & video
. A concerto for double trumpet and 4 different orchestra: a classical symphonic orchestra, an orchestra of insects, an orchestra of noises and, an orchestra of electronic sounds. Performed by Myster Shadow-Sky: as an appeal for wisdom to people that get crazy about human exploitation and submission against freedom. presentation page. Concerto pour 2 trompettes et 4 orchestres : 1 symphonique, 1 d'insectes, 1 de bruits et le 4e de phénomènes électroniques.

 

De l'Extase, la Musique Extreme (cover small)
L'EXTREME SONIQUE SANS CONCESSION REUNI       
DE L'EXTASE, LA MUSIQUE EXTREME

# ObCD 47-2007 - 183:92 [QUADRA reduced to STEREO] of oratorio music & video
Pirate live recording. An oratorio from Georges Bataille's books performed by: the Screaming Women Choir (7 screamers), mezzo-soprano, 2 drummers, 4 trombones, 1 electric contrabass, 1 sonic computer, 1 Bauhaus cello cubic, 1 electronic guitar, 1 analogue synthesizers EMS, 1 sampler, 1 nonoctave 9 ton electric guitar, 1 speaking voice, 1 singing male voice, double quadraphonic P.A. set,, video projection on 3 screens. Libretto by Mathius Shadow-Sky, Georges Bataille & Charles d'Orléans. Music to understand human life. presentation page. Très belle expérience de 3 heures de musique avec la première apparition historique du Choeur de Femmes Hurlantes.

 

Le Centrebombe 5 (cover small)
L'EXTREME SONIQUE SANS CONCESSION REUNI       
LE CENTREBOMBE 5

# ObCD 48-2008 - 32 :12 [STEREO] of music beyond human beyond possible
. An explosive blast drums and guitar music: in 5 explosions. presentation page. hardcore or grindcore? who cares? "Nous sommes là pour troubler nos sens au-delà des limites du possible de l'Homme et percer la supercherie dans l'extase." Georges Bataille.
BONUS : Live at Tapette Fest 2008 including LE CHOEUR DES FEMMES HURLANTES [THE CHOIR OF YELLING WOMEN] video+audio

 

L'Histoire Incroyable de Rangoun Kloblar (cover small)
THE ACOUSTIC GUITAR QUARTET
L'HISTOIRE INCROYABLE DE RANGOUN KLOBLAR

# ObCD 49-1995 - 28:05 [STEREO] of sonic tale
. The accidental recording was done after the recording of the music for the first movie of Philippe Lacôte at the recording studio of le centre de la bombe in Forgues (France). They was three acoustic guitar players waiting and mathius shadow-sky decided to play "the incredible story of Rangoun Kloblar" with all of them. The engineer recorded the session with two microphones somewhere in the studio but not in the front. And this it is, the saved session of Rangoun Kloblar's story. 1995 accidental recording from "4 forgotten musicians". Enregistrement accidentel d'un phénomène d'entente rare.

 

Inside of my Aliveness (cover small)
THE LAMPLAYER AND THE MACHINE       
INSIDE OF MY ALIVENESS

# ObCD 50-2006 - 33:08 [STEREO] the lamplayer live
. The 2005 / 2006 Lamplayer & the Machines tour. Here, the end of the Villefranche performance was recorded by Clément Amira. Performance pictures was taken only in Berlin: page 1 & 2, and in France: page 1.

Dernière apparition du Joueur de lampe : the Lamplayer après plus de 5000 ans de musique.

The 2007 Funeral End of the Lamplayer music (archisonic lamp + trumpet + voice) is listenable here: https://soundcloud.com/myster-shadow-sky/2007-funeral-end-of-the

 

mini cover album opera Les Rescapés de l'Hégémonie Culturelle
MYSTER SHADOW-SKY & THE PERFECT OCHESTRA
LES RESCAPES DE L'HEGEMONIE CULTURELLE
# ObCD ARC-2008 - 2:46:57 [HEXA reduced to STEREO] of not totally erased music
. Several media files saved from the total destruction of the 2008 opera. presentation page
the short film by Benoit Maestre 2 commercials (on 5) from the opera.

 

Un Voyage au Bout du Possible de l'Homme (cover small)
MYSTER SHADOW-SKY & THE PERFECT OCHESTRA
UN VOYAGE AU BOUT DU POSSIBLE DE L'HOMME

# ObCD 51-2008 - 42:44 [HEXA reduced to STEREO] music wind & fog
. A foggy performance on human limits with Georges Bataille's texts and Canceled music creation by a Toulouse theater director with no serious reason. The result gave a ghost music with missing musicians (the Screaming Female Choir, the blast drums, the cellocubic, the nonoctave 9 tone electric guitar, the arcoguitar, and the fog environment: a solo orchestral machine music reduced from hexaphony to stereophony.
page de présentation 2008. Page de présentation de sa renaissance en 2012. Musique interdite où ne reste que l'OVO [l'orchestre virtuel organisé].

 

Reconciliation (cover small)
MYSTER SHADOW-SKY
RECONCILIATION
+ CONCILIATION AVEC LA MORT PAR 789 PORTES
# ObCD 52-2009 - 81:20 [STEREO] music & video abstract lights in darkness
. Spiritual mystical (from mystery) electronic music with the vibration of the Universe (as one says). 2 mix.
  Musique mystique ratée en hommage à Andrei Tarkovsky avec le son de « la vibration de l'Univers » (c'est ce qu'on dit). 2 mix.

 

Les Complices du Silence (cover small)
MYSTER SHADOW-SKY
LES COMPLICES DU SILENCE

# ObCD 53-2009 - 61:00 [QUADRA reduced to STEREO] quadraphonic orchestra music & slogans video not included in the disc
. Concerto for nonoctave electric guitar, flutes, singing and speaking voice in the middle with the audience, and surrounding virtual orchestra in quadraphonic flat space or not. With 4 wall screens for 'commercials' where a VJ grapeshot slogans at 188 bpm (for good strobe obedience). With the resurrected voice of Cathy Berberian who sings with The Accomplices of Noise. presentation page. 2d (le 1er est : Jeux & Interdits en 2002 # ObCD 35) concerto pour guitare électrique nonoctaviante et OVO [orchestre virtuel organisé] nonoctaviant + des projections mitraillées de slogans vidéo remerciant le « peuple complice  » de sa soumission volontaire à soutenir la dictature sous prétexte de sécurité (qui ne sont pas dans le disque) entrecoupé d'érotisme en mouvements floutés. Avec la voix ressuscitée de Cathy Berberian qui chante avec les Complices du Bruit convivial. Quadraphonic (2 mp3 stereo files) to listen the Accomplices of Silence in quadraphony with instructions inside here.
Audiomat DVD cover small|2016 reedition published by Audiomat in Krakow:
quadra audio DVD
released March 24: http://audio.art.pl/audiomat/kontakt-contact/
http://audio.art.pl/audiomat/uncategorized/myster-shadow-sky/

Bonus cover reedition: The Accomplices of Silence 2016 cover reedition iconéà&- reedition cover published by Audio Art Krakow

 

white cover
MYSTER SHADOW-SKY
BACH, CHOPIN, SATIE RE:SOUNDED

# ObCD 54-2010 - 50:26 [STEREO] of remorphed piano music
. Re:tuned, re:sounded classical piano music. N'est-il pas temps de s'ouvrir à d'autres champs scalaire pour la musique et l'ouverture d'esprit ?

 

mini disc cover for ASSEEEEEEEZ
MYSTER SHADOW-SKY
ASSEEEEEEEEEEEEEEEEEEEZ
# ObCD 55-2010 - 65:15 [STEREO] of analogue synthetic live music
. A live act given by Myster Shadow-Sky during his illness in November 2010 with a solo analogue synthesizer (the Korg Mono/Poly). The music as "Imperfect Or Infected Life" in 1999 (performed with GRM Tools) is to be mixed with other music and sounds. Bonus: ASSEEEEEZ 2010 [livre 449Ko pdf] + ASSEEEEEZ 2011 [livre 367Ko pdf] = Journal Vigilant d'Exemples Médiocratiques. Performance solitaire du myster shadow-sky au synthétiseur analogique Korg Mono/Poly lors d'un concert en novembre 2010.

 

CD cover of: Le Choeur de Fillettes Artificielles 2012
MYSTER SHADOW-SKY
LE CHOEUR PARLANT DE FILLETTES ARTIFICIELLES DIT GEORGES BATAILLE
# ObCD 56-2012 - 25:18 [STEREO] of spoken choir music
. A composition for the Artificial Speaking Girls Choir, 28 Georges Bataille's speaks about erotism and anguish. The Choir is extracted from the bigger work and orchestra called Un Voyage au Bout du Possible de l'Homme (A Journey to the Edge of the Mankind Possible). Composition pour le Choeur de Fillettes Artificielles disant 28 textes de Georges Bataille qui parlent d'angoisse et d'érotisme en divers canons. Ce travail est extrait d'une oeuvre plus ambitieuse nommée Un Voyage au Bout du Possible de l'Homme. page de présentation dans le contexte d'Un Voyage au Bout du Possible de l'Homme (in the Journey to the Edge of the Mankind Possible context). Livret du Choeur de Fillettes Artificielles [pdf 78Ko].

 

front cover of Comment Je t'Aime
MYSTER SHADOW-SKY
COMMENT JE T'AIME
# ObCD 57-2012 - 1:20:58 [STEREO] of spoken trance music with the performance instructions, including the 7 loops.
. A music performance given in 2011 from a love message received between 1990 and 1994 from Agata Siecinska with a high sensitive feeling of love. Une performance solo créée en 2011 avec un message d'amour reçu entre 1990 et 1994 « de ma femme d'alors ».

 

cover front of the album 12 music for the film Love thy Neighbour directed by Benoit Maestre
MYSTER SHADOW-SKY
L'AMOUR DE SON PROCHAIN AMANT
# ObCD 58-2013 - 68:05 [STEREO] of music for film
12 soundtracks for the movie l'Amour de son Prochain (Love thy Neighbour) directed by Benoit Maestre: presentation, bande annonce (teaser), etc. Musical cultural stereotypes with disconcerting ingredients. watch the movie for free here. 12 musiques pour le film de Benoït Maestre : « L'amour de son prochain » : 12 stéréotypes culturels avec ingrédients déconcertants. Le film est visible et téléchargeable ICI.

 

Aloof Proof  Myster Shadow-Sky: A Brief Return to Earth (waiting the album)
ALOOF PROOF + MYSTER SHADOW-SKY     
A BRIEF RETURN TO EARTH
stopped and forbidden by the police
# ObCD 59-2013 - 40:03 [STEREO] of alive forbidden music
Barcelona 2013. Live performance
by Aloof Proof & Myster Shadow-Sky (the 3rd intent & the third album) stopped and forbidden by theSpanish police. 3e rencontre (du premier type) entre Aloof Proof et Myster Shadow-Sky pour ce concert unique à Barcelone en février. Mais le concert fut brutalement interrompu par la police espagnole sans donner de motif, reste 40 min de musique d'un bref retour sur Terre aux envolées éblouissantes. + le témoignage déconcertant audible de cette censure.

 

mini cover disc of 'the strang modules' secret'
BERTRAND FRAYSSE + MYSTER SHADOW-SKY
LE SECRET DES MODULES ETRANGES

# ObCD 60-2013 - 1:53:57 [STEREO] of acoustic ecstasy music
« Ils se sont installés Bertrand, Christophe et Mathius dans un temps sans durée ni horaire (un temps sacré ?), Michel Mathieu leur a donné cet intervalle de temps, 3 heures pour faire jaillir la musique dans son théâtre le Ring, ce qui aujourd'hui est une situation très très rare pour un concert. Cette nouvelle proposition musicale acoustique |sans sonorisation| mélange l'électrique à l'électronique aux instruments de musique asiatiques acoustiques comme la cithare vietnamienne Dan Tranh, le violon pékinois Jinghu avec la batterie de gongs de Bertrand Fraysse fait ensemble avec Myster Shadow-Sky une « musique aculturelle » inidentifiable qui s'éloigne de la mesure des horloges mécaniques pour vivre un voyage dans un espace-temps inconnu, histoire d'aller voir ailleurs et toucher au sublime. »
presentation page. Myster Shadow-Sky: nonoctave electric guitar. Korg Mono/Poly synthesizer. Electro Harmonix frequency analyzer. Vietnamese Dan Tranh. Pekinese Jinghu. Bertrand Fraysse: large gongs drums & percussion feedback. Christophe Deflorenne in 2013: lights & shadows. Page du Secret.

 

pochette de l'album de l'Ephémèrôde
MYSTER SHADOW-SKY
LES FANTÔMES DE L'EPHEMERÔDE
# ObCD 62-2014 - 1:54:52 [OCTO reduced to STEREO] of 13 pianomorphes' ghosts
« Révolutionnaire comme le Clavier bien tempéré 3 siècles plus tôt de Johann Sebastian Bach, les Pianomorphes Nonoctaviants de Mathius Shadow-Sky posent l'amorce d'une nouvelle aventure musicale avec sa théorie : des Champs Scalaires Nonoctaviants pour 300 années de développement. » "Revolutionary as Johann Sebastian Bach the Well-Tempered Clavier three centuries earlier, the Mathius Shadow-Sky Nonoctave Pianomorphe starts the beginning of a new Western musical adventure with his Nonoctave Scalar Fields theory: for 300 years development?" [1]
Download the worksheet of the Myster Shadow-Sky recital performing the Ephémérôde Cards of Chrônes' music. 2013 Diary/Journal de la/of the création. A propos/About nonoctaves scalar fields. Original 1984 Ephemerode music score and explanations (French).

 

The Ephemerode recital in Krakow 90x90
MYSTER SHADOW-SKY
L'EPHEMERÔDE CARDE DES CHRÔNES live in Krakow official release: December 30, 2014
# ObCD 63-2014 - 2:03:38 of the Ephemerode spatial performance [OCTO reduced to STEREO]
. Krakow 2014 live performance of the Ephemerode Cards of Chrones invited by Marek Choloniewski to perform at Audio Art Fest 2014. web page diary of the recreation. also online video of the concert. Un récital spatial de l'Ephémèrôde Carde des Chrônes à Cracovie. « Magistral ». « Shadow-Sky à Cracovie dépasse l'inimaginable, tranquillement ». "I love your approach, mixing up so many elements, also political, being a great anarchist in our big mixup and (social) decay." Marek Choloniewski. « La musique bouleversée du Myster Shadow-Sky ». Les idées politiques sont publiées là.

 

disc icone centrebombe 2015: Does it Rains in Outer Galaxies?
MYSTER SHADOW-SKY
DOES IT RAIN IN OUTER GALAXIES? official release: June 6, 2015
# ObCD 64-2015 - 1:13:18 + 1:13:21 = 2:26:39 [STEREO]
. Does it rain in outer galaxies? is 2 times 74 minutes of live time travel with performed electronic music: inevitably attached to space (why? to escape, space idea is necessary), of SiFi outer space adventure beyond everything known (beyond our imagination). Music with 5 synthesizers: the digital Forest synthesizer + the Arcoguitar in DINR sine synthesizer + the British EMS VCS3 modular analogue synthesizer + the Japanese Korg Mono/Poly analogue synthesizer + the digital sine bass with bouncing bowl: all, live performed at different time: 2012 + 1991 + 2013 + 2014 + 2015. Est-ce qu'il pleut dans les galaxies extérieures ? est 2 fois 74 minutes de voyage temporel de musique électronique jouée avec 5 synthétiseurs : inévitablement attachée à l'espace (pourquoi ? pour s'échapper, l'idée de l'espace est indispensable), d'une aventure spatiale de science-fiction au-delà de tout ce qui est connu (au-delà de notre imagination).

 

small image the CD cover of The Vibrations explained
MYSTER SHADOW-SKY
THE VIBRATIONS EXPLAINED/EXPLIQUEES official film releases A. theater: June 17, 2015, B. CD: February 28, 2016
# ObCD 66-2015 - 1:03 (for the music) [STEREO] not released on DVD, the film is on a world tour in film festivals
. "The Vibrations" (1:04:58. 2015) is a musical film directed and composed by Benoît Maestre's hallucinations musings and wanderings based on Myster Shadow-Sky's music and concerts from 2007 to 2014 (a pioneer musician composer, researcher from the twenty & first century, ah yes?). A movie with Mathius Shadow-Sky's music edited by the film director himself. The fragmented Shadow-Sky's music used in the film was a musical non-sense and by necessity and emergency had to be reorchestrated, recomposed, and remixed, to give back a coherence with the help of new layers for a new orchestral polyphonic music remade by the composer. This music is the result of a rescue mission of the damaging music by the cinema.

The film is now 2016 online at Luciole prod.

The trailer at Vimeo
.
Take the album "The Vibrations Explained", without any images.

 

Par les PLIS, passe la Bouffe (front cover label)
MYSTER SHADOW-SKY
PAR LES PLIS, PASSE LA BOUFFE ? official release: September 24, 2015
# ObCD 65-2015 - 1:06:25 + 3x29:12=1:27:36 = 2:34:01 [STEREO]
4 MUSIC TO DANCE OR NOT TO DANCE? à la page ?
SOMETHING IS NOT DONE YET HERE. I feel this project : unfinished. Something is missing, or something not fundamentally realised to be released. PAR LES PLIS, PASSE LA BOUFFE : Through the Folds (of spaces of universes) Passes Food, is what each alive creature needs to live and to reproduce their species (interspecies breeding does not work). The FOLDS: shape the idea by what we could understand further our mind representations of Worlds and Universes (these concepts of world and universes). To think the fold imply to think several spaces, several universes. The fold is something in between, to exist, it has to be at least 2 shapes to create the fold (the interstice, the gap): the 2 sides needed to make the fold existing. Understanding minds play with folds, to unfold = ex-pli-cation (in French), the process of explaining. In French pli is fold, in English plain is obvious (ad. L. explānāre, f. ex- (prefix) + plān-us flat, plain) in French plain is full, but the prefix ex- means: outside of. The English etymology of explain is it meaning: being outside evidence? Or making the evidence coming outside? In opposite: com-pli-cation in French is to fold again and again to be ununderstandable (like political intrigues). The fold as everything is infinite, means the interval in between has no end: it is why the fold is the shape of any hole or gap. The fold starts the hole, and the infinite gives no end to the hole. The vacuum created by the hole (for evacuation?) is moving something elsewhere. Is the basic of "black holes" concept. "Black holes" figure the scientists hope, there is something outside where it must be: against their fear of emptiness or nothingness. Well, what music can attach to that? Or: what music can be invented being attached to folds? Baroque arts, music and architecture were attached to the aesthetic of folds or more about draped, like drape of material (not flat) fioritura. Perhaps, it is not the right music? What dancing music has to do with folded spaces? Spaces dancing together? Why not, and I do not know, yet.
Le titre contenant n'est pas le contenu, ou : la bouffe passe par les plis n'alimente pas la domination à peiner les autres par la force - lire le livre libre : LE MOUVEMENT DU MONDE qui s'y attache.

 

white cover
JEAN-PIERRE SOAREZ + ROMUALD CABARDOS + MYSTER SHADOW-SKY
ÀDAPTATIO.  HEY! BABIES ARE ESCAPING!
2016 [OCTO reduced to STEREO]
Not an album, but 2 music to listen in waiting the missing 3 movements (do they will done?): you can download [zip 139Mo] of what was done in 2016:
1: the test of the 1st mvt THE PRISON [40:03] (on 4: THE PRISON, THE OURDISSION, THE ESCAPE, THE CHASE TO DEATH)
[recorded by Timothée Buquet the October 17, 2016 at Art Zoyd studio, and mixed by Myster Shadow-Sky at home in December]
2: the waiting music before the music as part of the music: Le Paradoxe de l'Air [16:26], and
3: besides, I like the poster I did for the 2017 fall concerts, inevitably cancelled.
The Album release was planned for September 2017, but by Art Zoyd breaking its engagements, the music is postpone to 2018? Is it? Not sure!
ADAPTATIO. Aïe ! les bébés s'évadent ! (in 4 movements) for percussion, trumpet, electronic acoustic and electric instruments, and voices,
   with The eSpace Experienced (mères de l'invention) with Jean Pierre Soarez, Romuald Cabardos, Timothée Buquet, and Myster Shadow-Sky.
   [in memoriam Jimi Hendrix: 2 short life 2 Xplore but not 2 Xplose] why not? I like his music as a start to something else we do.
The 1rst (unfinished) movement was produced by Art Zoyd studio, the Gérard Hourbette's place, in October 2016. The 3 left movements should be produced by another producers for 2018? Nobody knows, either do not desire any commitment. Commande d'Art Zoyd inter-rompue (pas cor-). Reprise (sauvetage en cours de la musique) par Mix'Art Myrys, Un pavé dans le jazz et le GMEA ? Eh non. ADAPTATIO. Hey ! les bébés s'évadent ! demeurera inachevé.
Ici l'histoire de sa création. Here, the Music Creation Diary.

 

Human Music cover icon
MYSTER SHADOW-SKY
HUMAN MUSIC
# ObCD 67-2017 - 40:33 [STEREO] | official release: June 1, 2017
An unexpected transcultural meeting with the japanese voice: Minami Saeki, made this album of 6 songs.
'Its unlistenable human part, to rejoice your sad soul?
'

De ces pièces d'orfèvre en filigrane vibrantes,
D'où il ne sort que l'ultime son scintillant d'un dernier souffle ;
Sont des pièces très rares de joaillerie musicale,
Pratiquement inexistantes.
À une rencontre, on retient son souffle de vie,
Tellement elle en a pris dans la gueule,
Pour former sa délicate et fragile brisure qui sonne l'inaudible de la musique humaine.

From these goldsmith pieces of vibrant filigree,
From which comes out only the ultimate last sparkling sound of a last breath;
Are very rare pieces of musical jewelry,
Practically non-existent.
At an unexpected meeting,
Everyone hold its breath,
So much it feels painful
To form its delicate and fragile break point to sound the unlistenable of human music.

 

Disc cover icon The Unanswered Questions
MYSTER SHADOW-SKY
THE UNANSWERED & UNASKED QUESTIONS
# ObCD 68-2017 - 2:12:52 [STEREO] |
official release: December 8, 2017
music to think, music to colour your silence

page de réflexions, page of thoughts

instrumentarium :
. 2 vastes massivités soniques
. 2 cymbales balinaises du gamelan
. 1 jinghu (violon de l'opéra pékinois)
. 1 synthétiseur analogique EMS VCS3
. 1 studio d'enregistrement numérique

It is hard to consider these 2 background soundscapes The Unanswered Questions (from ADAPTATIO) and The Unasked Questions (for what ever) being and forming a full concept album. These backgrounds are parts of music with the specific function to colour the silence (= to become and be their silences), but not as independent music. These are just given to experience TO COLOUR YOUR SILENCE. As parts, they are not forming a complete music for an album. iT WILL BE MIXED WITH SOME THING ELSE. And yet, Deisolato came to joint The Unanswered Questions, and Hilare came to joint The Unasked Questions. page of thoughts the meaning of music

Il est difficile de considérer ces 2 coloreurs de silence de fonds sonores The Unanswered Questions (d'ADAPTATIO) et The Unasked Questions (de l'autre musique) être et former un concept album complet. Ces musique de fonds sont des parts de musiques avec la fonction spécifique de colorer leurs silences (= de devenir et d'être leurs silences), ce ne sont pas des musiques indépendantes. Dois-je les offrir seules pour que chacune et chacun expérimentent À COLORER SON SILENCE ? Non. C'est pour ça qu'il n'est pas considérable que ces 2 musiques puissent former une musique complète pour un album. çA SERA MIXÉ AVEC AUTRE CHOSE. Et ainsi, Deisolato est venu se joindre à The Unanswered Questions, et Hilare est venu se joindre à The Unasked Questions. page de réflexions le sens de la musique

 

VIVRE l'espèce humaine [temporary cover]
MYSTER SHADOW-SKY
VIVRE L'ESPECE HUMAINE ou Le Délire de l'Ignorance
LIVING the Human Species or The Delirium of Ignorance
# ObCD 69-2019 - 1:53:54. [OCTO + STEREO reduction]|
official release: December 1, 2019

2.4Gb 7zipped file of 4Gb 8 channels spatial electric guitar music, including a 26x26cm book.
Music history: 1rst spatial polytrajectophonic electric guitar music for private context
Polytrajectophonic music? flying in the three-dimentionnal space layered electric guitar solos.
with an inharmonic nonoctave Shadow-Sky electric guitar. In 8 pieces + 2 interludes + 1 finale, in 12 pieces.
[2]

This album is the result of a suite of 29 electric guitar recorded solos; sonic captures from September 2018 to September 2019.
The attached book published in French in 26x26cm format of 112 pages is a mirror of the online book: http://centrebombe.org/livre/vivre.l.espece.humaine.html

Les Guitares Volantes adventure

The 8 channel music album is composed for an octophonic home (box shape) speakers set (i.e. 1 loudspeaker per summit = 4 on the ceiling + 4 on the floor). TO REDUCE SPACE HAS NO SENSE. NOTICE THAT: I AVOID ANY CHANNEL REDUCTION, BECAUSE THE PURPOSE OF THESE POLYTRAJECTOPHONIC MUSIC IS TO FEEL THE MOVEMENTS OF ELECTRIC GUITARS' SOUNDS IN OUR TRIDIMENSIONAL SPACE BODIES. NO LESS. To reduce 8 audio channels to stereo is similar as reducing polyphonic music to one voice: doing that destroys the polyphonic purpose of the music. I tested a monophonic reduction too: but listening polytrajectophonic music reducted to mono annihilates the sense of spatial music; something is gone, or leaves us an audio signal of how far spatial music is absent.

The republishing of the album is published the Septembre 1, 2020. The piece #3: pièce numéro 3. La Stratégie de l'Homme Pressé (Owen is gone) is recomposed. In addition, due to massive requests, we are publishing, with pain, the stereo reduction of the octophonic music.

 

'Neither Beast nor God nor monsters' one of the album cover (icon)          'Neither Beast nor God nor monsters' one of the album cover (icon)
LES GUITARES VOLANTES      
NI BÊTE NI DIEU NI MONSTRES

QUE DES FIGURATIONS DU PIRE QUI NE CONCERNE PAS LE REEL
# ObCD 70-2020 - 62:29. [OCTO + STEREO reduction] | official release: September 1, 2020
1.05Gb 7zipped file of 3Gb 8 channels spatial electric guitar quartet music.
with a 21x21cm book about Les Guitares Volantes 3 years history, and other surprises.

1rst spatial polytrajectophonic electric guitars quartet music published in music history for private context. Les Guitares Volantes perform the music score written by the composer Mathius Shadow-Sky: NEITHER BEAST, NOR GOD, NOR MONSTERS. ONLY FIGURES OF THE WORST THAT DOES NOT CONCERN THE REAL. The world premiere of the music was performed at Audio Art festival in Krakow, Poland, invited by Marek Choloniewski the Novembre 25, 2018. In between, the title changed; from: The Extraction of the Triomphant Beast -to maintain a link with the philosopher Giordanno Bruno, but the link between the Beast to the Apocalypse is stronger in people's mind- the composer choose to give to reveal the fake of all belief with this new title [3]. Les Guitares Volantes are: Laurent Avizou, Stéphane Barascud (but no news from Stéphane Barascud since December 5, 2019), Stéphane Marcaillou, and Mathius Shadow-Sky (also composer and sound engineer). Graphics for labels, posters and covers are made with 10 drawings from 2011's Nataly Nato's work called: 'Lucy is alive!', and recomposed by Myster Shadow-Sky, are all included in the album. Les Guitares Volantes page.

Première musique spatiale polytrajectophonique produite par un ensemble instrumental électrique de l'histoire de la musique ! Depuis 1958, date de naissance de la musique spatiale, celle qui déplace ses sons dans l'espace tridimensionnel (avec Xenakis et Stockhausen) en trajectoires soniques, de nombreuses tentatives ont été produites sans résultat convaincant quant à jouer « en temps réel » les voltiges sonores des sons instrumentaux dans l'espace. C'est au XXIe siècle que l'inventeur Nicolas Holzem conçu le 1er générateur de trajectoires hexaphoniques en temps réel (presque) qu'il nomma Orfeusz 206. L'hexaphonie des trajectoires fait que les cheminements spatiaux deviennent perceptibles, qu'il n'y avait pas avec un système quadriphonique (qui se rapproche + d'un double panoramique stéréo pour tourner en rond). Chaque musicien dispose de son générateur de trajectoire hexaphonique propre qui est routé à travers une matrice 6x8 dans le dispositif octophonique (28 chemins hexaphonique existent dans une disposition octophonique). Nous nous sommes réduits à l'octophonie pour l'audition chez soi, à la maison avec 8 enceintes (disposées aux 8 coins de la pièce : 4 au plafond et 4 au sol). En concert spatial, nous disposons d'une dodécaphonie (12) et mieux d'une hexadecaphonie (16) où le nombre de cheminements entre le ciel et la terre, le loin et le proche donne une dispersion spatiale impossible en intérieur.

A SPATIAL ALBUM IS NOT ONLY MUSIC, THERE IS ALWAYS MORE INSIDE!
In NEITHER BEAST, NOR GOD, NOR MONSTERS album, there is several suprises:
1. The music of the album composed for an octophonic box intallation (8 channel music)
    i.e. 1 loudspeaker per summit = 4 in ceiling + 4 on the floor.
    5 octophonic audio digital files of approximately 70 minutes of music.
    5 fichiers audio octophoniques d'approximativement 70 minutes au total.
2. Its stereo reduction (2 channel music) from 3D to 1D,
    STEREO IS A HUGE LOSS OF WHAT SUPPOSE TO EXIST SPATIAL MUSIC
    EN EFFET, EN STÉRÉO, LE DEGRÉ DE DESTRUCTION DU SENS SPATIAL DE LA MUSIQUE EST TROP ÉLEVÉ.
    INDEED, IN STEREO, THE LEVEL OF DESTRUCTION THE SENSE OF THE SPATIAL MUSIC WORK IS TOO HIGH.
    We didn't choose the "binaural" solution, because binaural stereo reduction of the octophonic does not work well for the music as it is claimed,
    only for one sound, sometimes even not. ANY CHANNEL REDUCTION FORBID TO FEEL THE CHOREOSONY OF THE POLYTRAJECTOPHONY.
3. the NEITHER BEAST, NOR GOD, NOR MONSTERS includes the music score to understand this spatial music.
4. Cover booklet graphic Design/Design graphique de la pochette.
5. Livre avec photos de l'histoire des Guitares Volantes.
6. and more, et +

 


LES GUITARES VOLANTES      
EXTRAACTION DE LA FOLIE ORDINAIRE TRIOMPHANTE

# ObCD 7
1-2020 - 44:35. [OCTO + STEREO reduction] | official release: October 13, 2020 - RESOUNDED November 24, 2020.
0.9Gb 7zipped file of 2Gb 8 channels spatial electric guitar quartet and trio music.

2d spatial album from the electric guitar ensemble published in music history. A 2 sides album as the past "single" with 2 music : the song on side A and its instrumental part to dance on side B. The Dance of Mad people is to dance, The Austere Ascetics (believing being wise men) is to sing. Les Guitares Volantes play with Luc Ferrari (French composer who died in 2005 leaving his voice and music). There is 7 folders in the gift package + the 2 octophonic audio files (including the painful stereo reduction of the 2 audio files).

2d album des Guitares Volantes en forme de 45 tour de 45 minutes : avec sa Face B (instrumentale) : La Danse des Fous + sa Face A (vocale) : Les inactions (obligées) des Ascètes Austères (crus être des Sages), où Les Guitares Volantes jouent avec Luc Ferrari († 2005). Il y a 7 dossiers surprises dans le paquet cadeau en + des 2 fichiers audio octophoniques (incluant ses 2 réduction stéréos).

Les Guitares Volantes 2020 are:
Laurent Avizou : avisé, il rend l'or = Vizou
Stophane Marcaillou : stop the fan (atism), the mark of stone = Caillou
Myster Shadow-Sky (+ composer + sound engineer) : le mystère de l'ombre du ciel de la terre illuminée = Matic
avec le compositeur Luc Ferrari († 2005) = Luc

 

Mysterium Aerium, the 3rd album by Les Guitares Volantes, front cover_icon
LES GUITARES VOLANTES      
MYSTERIUM AERIUM

# ObCD 72-2020 - 72:36. [OCTO + STEREO reduction] | official release: December 1, 2020
1.4Gb 7zipped file of 3Gb 8 channels spatial electric guitar quartet and analogue synthesizer music.

This 3rd album by Les Guitares Volantes continues the exploration of the electric guitars ensemble flying their sounds in space. And, confirms what the composer is working on, so long, to pass beyond andor transcend for the music: 1. the quantitative restriction of the written order of the score, and 2. the stereotypical instrumental improvisation performing inside a grid identifying his/her identifiable identity in a conventional style and genre. This underground revolution for the music, beyond John Cage, is freeing the music score and the improvisation from its grid, because we understood that the music it is created from the inside, not with outside restrictions. With here in addition the flying development of the spatial polytrajectophonic instrumental music in "real time". This album contains 2 works for a total of 72 minutes. The one called "Mysterium Aerium" and subtitled "symphonic", in a duration of 53 minutes, develops the sense of sonic concentrated sympathies in which the sensitive audible is composed considering the distinct attitudes of the musicians characters involved: Laurent Avizou, Stéphane Marcaillou and Mathius Shadow-Sky, with a fourth member, sounding its behaviour: an analogue sonic electric synth twin machine. The other music work is a spatial development of a genre overplayed on the electric guitar: the blues. Named as a reminder: "The Classic Pain of the Slave" which lasts 19 minutes. Ho yeah! The music by Les Guitares Volantes are trans-genre, or between genres, or do not belong to any musical chapel.

Ce 3ème album des Guitares Volantes continue l'exploration des guitares électriques voltigeant leurs sons dans l'espace. Et, confirme ce que le compositeur s'est attaché à dépasser/transcender pour la musique : 1. la restriction quantitative de l'ordonnance écrite de la partition, et 2. le jeu instrumental stéréotypé de l'improvisation à demeurer dans le cadre de l'identification de son identité identifiable de style et de genre. Cette révolution musicale clandestine, au-delà de John Cage, libère la musique de l'ordonnance partitionnelle et de l'improvisation encadrée, car nous avons compris que la musique se crée de l'intérieur et non par des restrictions extérieures. Avec ici en + le développement spatial polytrajectophonique de la musique instrumentale « en temps réel ». L'album contient 2 oeuvres, pour un total de 72 minutes. L'une nommée « Mysterium Aerium » et sous-titrée « symphonique » dans le sens d'une concentration, dans une longue durée, de sympathies soniques en développement où se compose des sensibles considérants les attitudes l'audible distinctes des musiciens investis : Laurent Avizou, Stéphane Marcaillou et Mathius Shadow-Sky avec un quatrième membre au comportement sonnant : une machine jumelle de synthèse analogique. L'autre, est le développement spatial d'un genre surjoué à la guitare électrique : le blues. Nommée pour rappel : « La souffrance classique de l'esclave » qui dure 19 minutes. Eh oui ! Les musiques des Guitares Volantes sont transgenres ou entre-genres ou n'appartiennent à aucune chapelle musicale.

 

in the maelstrom of the game
LES GUITARES VOLANTES    
JOUENT LES EPHEMERÔDES CARDEURS DE CHRÔNES

# ObCD 73-2021 - 63:59. [OCTO + STEREO reduction] | official release: March 15, 2021
1.02Gb 7zipped file of 2.7Gb 8 channels spatial electric guitars and pianomorphes orchestral music game in relay.

This 4th album by Les Guitares Volantes continues the exploration of live spatial instrumental music by playing the music game written in 1984: The Ephemerodes Card of Chrones. Making an orchestra of 11 musicians (with 8 clones). Les Guitares Volantes history.

Ce 4e album des Guitares Volantes poursuit l'exploration de la musique spatiale instrumentale en jouant cette fois, une partie du jeu musique écrit en 1984 : Les Ephémèrôdes Cardent des Chrônes. Formant un orchestre de 11 musicians (avec 8 clones). L'histoire des Guitares Volantes.

Les Guitares Volantes 2021, musicians:
Laurent Avizou : Ephemerode Vizou
Stephane Marcaillou : Ephemerode Caillou
Myster Shadow-Sky : Ephemerode Matic
(& composer & sound engineer)
with the Breather pianomorphe player : Ephemerode
Au to

 

icon disccover 2021 Frozen Freedom
MYSTER SHADOW-SKY
2021 FROZEN FREEDOM?
# ObCD 74-2021 - 38:57. [OCTO+STEREO] | official release: March 21, 2021 [it was done in January 2021]
507Mb 7zipped file of 1.15Gb 8 channels & stereo spatial electric guitar and analogue synth sad of sky music.

This record is ready since January 2021, but its release, is a "sad of sky solitude", not necessary in our dystopia pandemic context, I suppose. There is 2 music recorded, one: a rock and roll guitar sound in verb with an analogue synth both flying in the octophonic space. Its reduction to stereo is a lack of sense, because of: the sound solitude that in space has all its signification to fly alone (which it doesn't in one dimensional stereo). In opposition, the second music was first recorded in spatial octophonic, but its reduction into stereo got a sense that in octophony it doesn't. Yes: the music progressively reduces its spatial movements to none: to monophonic. It is impressive to listen how freezing a free movement can affect our spatial love feelings!

La discrimination générale des individus dans ce pays continue avec le « passe sanitaire » le 9 août 2021. Aucun être humain ne peut plus prendre un verre en terrasse ou faire ses courses en supermarché sans passe sanitaire enregistré sur son téléphone portable. C'est une atteinte illégale aux droits de l'Homme.

 

Respire! disccover icon
ABDESLAM MICHEL RAJI & LES GUITARES VOLANTES        
RESPIRE !

# ObCD 75-2021 - 26:12 [OCTO + STEREO reduction] | official release: April 1, 2021
582Mb 7zipped file of 1.1Gb 8 channels of breath, percussion and electric guitars spatial music

The 5th album by Les Guitares Volantes is an exploration with the Sufi breath performed by the contemporary dancer Abdeslam Michel Raji. In addition with a unique flying percussion. Les Guitares Volantes history.
Le 5ème album est une exploration de la musique avec les souffles soufi du danseur Abdeslam Michel Raji. + une percussion volante unique. L'histoire des Guitares Volantes.

Les Guitares Volantes, musicians of the record:
Laurent Avizou
Stephane Marcaillou
Myster Shadow-Sky
with the choreosopher Abdeslam Michel Ragi

 

SATURE, il fait fade ici disccover icon
SOLUNE BABY & LES GUITARES VOLANTES         
SATURE

# ObCD 76-2021 - 58:24 [OCTO + STEREO reduction] | official release: May 1, 2021
1.1Gb 7zipped file of 2.49Gb 8 channels of baby voice and electric guitars spatial music

The 6th album by Les Guitares Volantes is an unmixable mix of overdrived guitars performing with the baby voice of Solune, with humour, and with everyone flying in octophonic 3D space. Check Les Guitares Volantes history.
Le 6ème album des Guitares Volantes est un mix immélangeable : des guitares saturées qui jouent avec la voix d'un bébé, celle de Solune en 1998, avec l'humour en +, toutes valdinguant dans l'espace tridimensionnel octophonique. L'histoire des Guitares Volantes.

Les Guitares Volantes musicians of the record:
Laurent Avizou
Stephane Marcaillou
Myster Shadow-Sky
Solune Shadow-Sky
(baby in 1998)

SATURER du latin classique « saturare » = rassasier. Mais la saturation actuelle se rapproche + du débordement des limites imposées que de la plénitude. Et, ce débordement se considère même du soulèvement, de la révolte des prisonniers retenus dans l'enfermement. La saturation est l'explosion des volontés libres enfermées qui se libèrent. Et, ça déborde et, ça sature, car les réseaux n'ont pas été conçus pour libérer la totalité des esclaves. La saturation est le signal contenu qui se transforme à excéder son contenant : ou : le contenu excède son contenant qui change son signe. Le contenant politique est formé de limites, de barrières, d'interdits et, d'obéissance. Le contenant électrique ou informatique est formé d'une capacité maximale de transmission du contenant : cette capacité excédée, le système sature, le contenu sort lentement ou soudainement, il explose. (La distorsion est ce qui est détordu ou mal tordu, tout en ne débordant pas son contenant).

Musique de l'excès, depuis que la guitare électrique a été accouplée avec un Marshall, le 1er ampli guitare à « over booster » = saturer le son de l'électricité pour donner un instrument de musique ultrasensible à jouer, avec la sonorité massive, connue depuis Pete Townshend puis Jimi Hendrix jusqu'à évoluer aux limites du « grind core » utilisant les capteurs emg actifs avec des guitares à 7 cordes où la 7ème est à la 4te + grave que la corde grave, retirant à la guitare basse son domaine des sons graves et à la batterie son espace percutant. La guitare électrique couvre, depuis, tout le spectre orchestral : des sons percussifs + graves + d'une grande puissance, jusqu'à la délicatesse + tous les sons aigus, voire extrêmes aigus qui peuvent se confondre avec le silence. + Tout ce qu’il y a entre. Cette palette sonore exceptionnelle, Les Guitares Volantes l'utilisent pour leur musique. Et, « SATURE ! Il fait fade ici » donne à entendre la massivité de l'instrument à 3 + 1 voltigeant dans l'espace. Avec un ingrédient compositionnel essentiel : l'humour, ou : comment à l'écoute de la musique, provoquer le rire des auditeures !

 

white cover
LES GUITARES VOLANTES
ATTRACTIO & REPULSIO

ENFIN ENFUITE SUITE A LA FUGUE
# ObCD 77-2021 - 81:54 [OCTO + STEREO reduction] | official release: September 1, 2021
1.3Gb 7zipped file of 4.31Gb 8 channels of electric guitars spatial orchestral music

The 7th album by Les Guitares Volantes is orchestral! 30 electric guitars musicians performing in space! 30, 18, 12, 9, 6, 4, 3 are the number of guitars in different orchestras in the record. The music is coming from the score: Enfin Enfuite Suite à la Fugue (= At Last Escaping After the Fugue) for 3 to 62 musicians with electric instrument that can slide their tones (included in the album). The score is composed with 9 Inextricable: 9 knots in loop, to perform in 5 minutes. This because of: “give me 5, minutes” (of your attention, from your all life duration). We did short pieces! Except one! There is so many things attached to: attraction and repulsion!

Le 7ème album des Guitares Volantes est orchestral ! 30 guitares électriques ensembles jouant dans l'espace. 30, 18, 12, 9, 6, 4, 3 sont les différentes nomenclatures dans l'album. La musique vient de la partition : Enfin Enfuite Suite à la Fugue pour un orchestre électrique de 3 à 62 musiciennes qui peuvent glisser leurs tons (partition incluse dans l'album). La musique écrite forme 9 Inextricables = 9 noeuds psychologiques en boucle à jouer en 5 minutes (sans le bouclage qui bouclée rend la musique infinie). Ça, pour : « t'as 5 minutes ? » (de ton attention de ta durée de vie). Ici, nous avons réalisé des pièces courtes ! Sauf une ! Et, il y a tellement de choses attachées à l'attraction et à la répulsion qui font cet album unique.

Histoire des Guitares Volantes History
The score composed in 1988 for a slide tones orchestra:
Enfin Enfuite Suite à la Fugue [pdf 12 Mo]
for 3 to 62 electric guitars.

 

 

 

 

Comment écouter à la maison la musique spatiale multipiste ? [txt 5Ko]
How to listen multitrack spatial music at home? [txt 5Ko]

Comment les mélomanes peuvent-ils écouter la musique spatiale à la maison ?

Pour écouter la musique spatiale,
autant utiliser l'équipement du musicien,
moins cher qu'un système HiFi dénaturant la musique,
par son format imposé fixé et approprié.

2 alternate players with matrix to read multichannel audio files [txt 2Ko]

Bonus au savoir IMPOSTURE à savoir :
« Les formats de l'industrie audio normés
avec multiples haut-parleurs
ne reposent que sur des mots » [.txt 9Ko]

 

 

 

"MUSIC IS NOT A PRODUCT TO BE APPROVED (BY CUSTOMERS),
MUSIC IS A MEDICINE TO OPEN OUR MIND."

"YOU ARE ALMOST 1 MILLION PEOPLE DOWNLOADING MY RECORDS ! THANK YOU TO LISTEN MY MUSIC !" MYSTER SHADOW-SKY

"Free original creation cannot be killed,
politic censorship can only cut the communication between artists and the audience.
But, never for ever."

 

 

AAAÏe = Artistes Acculés à l'Anonymat d'Internet

    Si Bach, Mozart, Malher, Satie, Webern, Varèse, Stockhausen, Xenakis, Cage et tous les Autres avaient vécu à notre époque, ils auraient été acculés comme moi, à ce que leurs musiques ne soient connues que par l'anonymat d'Internet. La musique qui se vit de l'orchestre, c’est-à-dire en groupe d’êtres humains sonnant ensemble par sympathie n’aurait jamais pu existé, tellement le niveau d’hostilité envers la création originale des arts et de la musique est élevé.

AAAÏe = Artists Trapped into Internet Anonymity [at ia]

    If Bach, Mozart, Malher, Satie, Webern, Varese, Stockhausen, Xenakis, Cage and all the Others had lived in our time, they would have been forced like me, that their music could not be known only by the anonymity of the Internet. The music that lives from orchestra, it means, a group of human beings sounding together in sympathy would never have existed, because the level of hostility against arts and music's original creations is too high.

 

 

 

ALBUMS WAITING, & BEING IN RELEASE:

 

MELODIA
by Les Guitares Volantes   

   Expected release: 2022

white cover

What is a melody? A symphony of melodies.
Qu'est-ce qu'une mélodie ? Une symphonie de mélodies.

 

LA MUSIQUE DE JEAN-YVES BOSSEUR  
   by
Les Guitares Volantes

   Expected release: 2022

white cover

Les Guitares Volantes electric guitar quartet will perform the music of the composer Jean-Yves Bosseur.
Jean-Yves Bosseur writes music for the electric guitars quartet with their sounds flying in space.
Jean-Yves Bosseur écrit de la musique pour Les Guitares Volantes.

 

DE L'EAU  
   by Myster Shadow-Sky
and Les Guitares Volantes ?

   Expected release: 2022

white cover

Water and electric guitars flying in space
De l'eau et des guitares électriques valdinguant dans l'espace

 

SANS TITRE
   waiting title for now
   by 1Ka + Myster Shadow-Sky

   Expected release: 2022

white cover

 

WHAT NEXT?
   Myster Shadow-Sky

   Expected release: ?

 

GENEROUS
   an electronic music album to dance (and to think and to enjoy beyond what is understood)
   Myster Shadow-Sky with Fedaden music collaboration
   based on myster shadow-sky's 'satellite rhythms' and Fedaden's dance floor sounds.
   For ultrabodymoving: a different way to dance by being together touched by vibrations.

   Expected release: ?

white cover

 

 

 

 

Unreleased or not partially released albums:

TOTAL EXTATIC MUSIC is Myster Shadow-Sky + Aloof Proof
   The November 18 & 19, 2016, the 2 last not recorded concerts.
   This new live album was planned to be release in December 2016.
   There will be any album released from these 2 astonished concerts.
   Just a lofi bootleg recorded with a cellphone, came to us 3 years later: [mp3 100Mo].

What about TOTAL EXTATIC MUSIC: when will be the record? No one knows.

flou du 2d album du SECRET le duo Bertrand Fraysse et Myster Shadow-Sky

THE REVEALED SECRET

2014. « Le SECRET est mort, et que la mort vive. » Y aura-t-il un second album du duo Bertrand Fraysse et Mathius Shadow-Sky, né en octobre 2013 avec LE SECRET DES MODULES ÉTRANGES ? Le SECRET pour exister doit-il devenir RÉVÉLATION ? La trahison de Bertrand Fraysse, en se ralliant aux mauvaises langues contre Mathius Shadow-Sky, annihile définitivement toute collaboration musicale et relation amicale. Ce n'est plus un secret.

the next album: QUE VIVE LA MORT POUR LA VIE ? will be never recorded.

 

LE deproFONDis DU SUBLIME [the Sublime of deproFONDis] au fond ? il n'y a rien.
  Quite & massive (voicing?) music with background sounds, a basic shape of vibrations for orgasm's exctasy, done in 2015, but not yet ready to be released. Its basic sound is present inside the massive silent music: The Unasked Questions. For now this music project is avoided.

 

ADDITIONAL info

Myster Shadow-Sky Massive Analogue Live Synthesizers
PARt LES PLIS dES UNIVERS pLIéS PASSE LA BOUFFE
la bouffe les plis pochette de disque 2 (recto ou verso)la bouffe les plis (pochette de disque)
dans LE MONDE DES SYNTHETISEURS ANALOGIQUES DES MACHINES A SONS

DIRIOG (Does It Rain In Outer Galaxies) in June 2015 did not take the place of what was predicted with LA BOUFFE PASSE PAR LES PLIS dES UNIVERS pLIéS. But the same idea stays, of performing massive analogue live synthesizers. PARtir LES PLIS PASSE LA BOUFFE is to enjoy to dance to escape the repression of our Western societies for other political regime, especially the ones with love and sympathy. Continuing since the 90s usING massive electronic music to dance. The approx. 30 minutes last piece of the album is blooming: "RUN ! sauve toi ! là, une issue". This dance music is focusing on polyrhythmic effect for the dancers to choose which one to dance. I avoid binary military rhythm which increases the feeling of frustration in binary march obedience generating unnecessary violence.

Does It Rains, 2012 Forest synthsizer performance DOES IT RAIN? is not anymore alone. It is in sounded with: Does It Rain In Outer Galaxies?

 

The Lamplayer and the Machines - U & U The Recipe of Freedom

U&U, recipe of freedom disc cover icon

Octophonic polytrajectophonic concerto in space by the Lamplayer and the machines. 2006 spatial music project with a 3D moving cloud orchestra of 100 electric audible clones and a hunted human soloist: undone until today, by lack of public concern: presentation page. In 2007, after 27 Earth's orbit around the sun, this Lamplayer stopped definitively to create and perform archisonic music, due among others of reiterated hostile and violent behaviours from frighten people in the audience.

abstraction ?

 

 

The function of the arts is not aesthetic which is only its appearance,
the function of the arts is a necessity to debetify the human species.

 

 

Notes

[1] Cet album des fantômes de l'Ephémèrôde représente une date importante pour l'histoire de la musique occidentale : il donne à entendre pour la première fois quelques combinaisons harmoniques d'accords nonoctaviants : une première mondiale qui sert d'impulsion et de mise en bouche pour les compositeurs des futures générations à découvrir d'autres sonorités, d'autres manières de créer de la musique dans les mondes infinis des champs scalaires : nouvelle base élargie de la formation de la musique. Tout en aidant à sortir nos sociétés de la hiérarchie, du racisme, du privilège et de l'hostilité transformée aujourd'hui en terreur, dont la doctrine classique de la musique est constituée. Cette ouverture d'esprit musical est une issue une chance pour sortir notre humanité de la misère psychique qui s'attache à nuire aux autres vivants, au lieu d'épanouir sont être à vivre sa confiance, à découvrir tout ce qu'une vie humaine peut offrir à l'enchantement.

En fait notre société est presque prête à lâcher l'ancien système qui la gouverne. Mais avant, elle va aller jusqu'au bout de sa peine jusqu'à sa souffrance intolérable pour motiver sa réaction à changer (la Seconde Guerre mondiale semble n'avoir pas suffi). Les prémices de changement sont en gestation depuis presque 1 siècle, dont tous les musiciens ont voulu sortir du joug de la doctrine tonale, mais qui à partir du mouvement postmoderne sont revenus à l'ancienne doctrine avec le prétexte de la nécessité de se vendre ? Que l'inventivité musicale ne soit pas exclue, c'est pourtant ce qui est arrivé. Aujourd'hui et depuis une trentaine d'années où plus rien n'évolue dans la fondation de la musique, les instruments de musique qui offrent un accès à d'autres échelles sont principalement les instruments attachés à l'ordinateur (les instruments acoustiques suivront après). Le protocole MIDI, depuis 1983 permet de calculer toutes sortes d'échelles, mais ce n'est que récemment que l'accessibilité à tout intervalle possible est devenue effective : calculable et audible et jouable musicalement (bien que les métamorphoses d'échelles à différentes vitesses ne le soient pas encore). Nous sommes encore dans les prémices de ce que la musique peut offrir d'infini à l'humanité. Nous savons que la phase de déconditionnement prendra du temps et sera déclenchée par une misère encore + grande de l'humanité. C'est un cycle inexorable que nous n’avons pas encore la maturité de briser. La musique existe pour ouvrir les esprits à créer les liaisons au sublime. A nous d'ouvrir nos oreilles.

 

Needs Been

I m age of forbiddden sex
alone with my graphicsexhibition

narcissigraphics satisfied?

Being deeply human
and our human needs are so huge

Now listen to some music

Étant besoins

Je suis en image en âge du sexe interdit
seule avec ma sexposition graphique

narcissisgraphique satisfait ?

Etre profondément humain
et nos besoins humains sont tellement énormes

Maintenant, écoutons un peu de musique

pochette du disque de l'Ephémèrôde

[2] myster shadow-sky's electric guitar:

the Shadow-Sky inharmonic nonoctave electric guitar

[3] NEITHER BEAST, NOR GOD, NOR MONSTERS. ONLY FIGURES OF THE WORST THAT DOES NOT CONCERN THE REAL by Les Guitares Volantes

- Why the title of the music work has changed?

- "The beast is not a monster, neither an anti-god. Animal means animated with gestures. The cause of the total destruction of humankind told in the apocalypse, is not the beast, but the god of the Christians, who destroys by jealousy, exclusiveness, and intolerance, the nature of our universe. The beast is the result of the voluntary self-destruction of human intelligence by the monotheistic gods and the opposite: the beast is the figure of horror, because it has the intelligence that the Christian god does not have, which explains the destructive jealousy and the revenge of the spoiled god. Is it the exact location of the Western humankind suffering's foundation? The one annihilating humankind intelligence development? In the 21th century, this beast is still possessing human mind's will, more than ever. Is it for their god to process their decline and the humankind annihilation? Why do their gods want to realize the decline of their believers into idiocracy with the threat of the annihilation of all humanity? For what? A spoiled childish or infantile god who act by revenge against humanity (before the uprising of its intelligence) for its total destruction of life (including all animals, plants and every thing)? Because he feel unloved by the species he created? Is it not ridiculous? Musicians and philosophers do not provoke humankind misery, like Western humans do with their auto-destructive believes and obedience. Rather it is the opposite, the function of music exists to rise humankind intelligence."

- Pourquoi le titre de l'oeuvre a-t-il été changé ?

- La bête n'est pas un monstre, ni un anti-dieu. Animal signifie animé, les gestes animés par le souffle. La cause de la destruction totale de l'humanité racontée dans l'Apocalypse, n'est pas la bête, mais le dieu des chrétiens, qui détruit par jalousie, exclusivité et intolérance, la nature de notre univers. La bête est le résultat de l'autodestruction volontaire de l'intelligence humaine par les dieux monothéistes et le contraire : la bête est la figure de l'horreur, car elle a l'intelligence que le dieu chrétien n'a pas, d'où la jalousie destructrice par la vengeance du dieu gâté. Est-ce là, l'exact fondement de la souffrance de l'humanité occidentale ? Celle qui annihile le développement de l'intelligence humaine ? Au XXIe siècle, cette bête de bêtise possède plus que jamais la volonté des esprits humains apeurés. Pour quoi leurs dieux veulent réaliser leur déclin dans l'idiocratie avec la menace de l'anéantissement de toute l'humanité ? Pour quoi ce dieu enfantin ou infantile et gâté se venge de l'humanité (avant son épanouissement : comment Saint Jean peut-il juger d'avance de la condamnation de l'humanité ?) par la destruction totale de la vie ? (sachant que les animaux, les plantes et tout le reste ne seront pas épargnés). Uniquement parce que ce dieu ne se sent pas aimé par l'espèce qu'il a créée ? N'est-ce pas ridicule ? Les musiciens et les philosophes ne provoquent pas volontairement la misère humaine, comme le font les humains occidentaux avec leurs croyances et leur obéissance autodestructrices. C'est même le contraire, la fonction de la musique existe pour élever l'intelligence de l'humanité. 

Le texte complet de l'Apocalypse de Saint Jean [.txt 69Ko]

À ne pas vénérer la terreur,
pour agir la violence,
le changement du titre a été nécessaire :
le passage de
la bête triomphante à
la cessation de la croyance au pire
est une nécessité vitale
pour guérir nos sociétés de la peur.

IT IS WHY, THIS MUSIC WORK HAS CHANGED ITS TITLE TO:

NEITHER BEAST, NOR GOD, NOR MONSTERS.
ONLY FIGURES OF THE WORST.
THAT DOES NOT CONCERN REALITY.

PEACEFUL SPACES
NOTHINGTOSEE

   YES:
   THE EXTRACTION OF THE TRIUMPHANT BEAST
   has became:
   NEITHER BEAST, NOR GOD, NOR MONSTERS. Only figures of the worst. That does not concern reality.

   The 1rst record/album by Les Guitares Volantes,
   should be released in Septembre 2020. Yes, its release is expected for 2020 in 8 octophonic channels
   1rst polytrajectophonic instrumental music by the electric guitar quartet: Les Guitares Volantes
   despite all the obstacles we face since the beginning!

We had started the rehearsals of NEITHER BEAST, NOR GOD, NOR MONSTERS in October 2018, and its score writting in March, for its 1rst performance invited the November 25 at Audio Art festival in Krakow in Poland by Marek Choloniewski. We now are recording the album at the domestic studio for spatial music in Toulouse. 2019-2020 for spatial home enjoyment.

Check last info at: the history of Les Guitares Volantes

2 membres des Guitares Volantes enregistrent la musique de La Bête Triomphante au centre de musiques spatiales de Toulouse recording session at the Shadow-Sky's Centre des Musiques Spatiales

 

 

 

 

links

the centrebombe free netlabel archives to download for free all these albums and much more

la BIBLIO des livres libres du myster shadow-sky

myster shadow-sky's operas, gigs, performances, concerts: dates

myster shadow-sky 's records net label: le disque du centre de la bombe

myster shadow-sky musical past history and acts

myster shadow-sky censored by and at Wikipedia

myster shadow-sky's music events: now news

the book: In the Sky, the Noise of Shadow = Dans le Ciel, le Bruit de l'Ombre

donation page to the composer

anti-sacem fondation (for artists rights)

back home

report broken links
send a THANKS message to the composer: Mathius Shadow-Sky
for giving for free to listen his music on the Internet since 1997

 

 

Music for those very few people
who escape: the ugly, the shame of feeling guilty showing being victim.

Why Human beings are prostituted to fearness?
Tell me.

 

 

PLEASE NOTICE THAT:

CBS last.fm HAS STOLEN, WITHOUT THE AGREEMENT OF THE ALIVE COMPOSER MATHIUS SHADOW-SKY, HIS MUSIC, HIS MUSIC TITLES, AND HIS NAME = making money without paying.
PLEASE ALSO: DO NOT CHECK IN VLC PLAYER AUDIO PREFERENCES "Submit played tracks to last.fm" which makes you listener the accomplice of the Internet robbery of our music works.
lastfm is a thief (logo) AS ALL OTHERS
PLEASE DO NOT FEED ALL THE INTERNET THIEVES AS: iTunes, Spotify, Lastfm CBS, AND ALL OTHERS making money with artists' works without their permission and without sharing the profit.

Not sharing 50/50 the profit, given by the artists' works, even if a third part is paying the advertisers: it is a robbery.
All the companies, from the richest to the poorest, since the end of the seventies, are robbering the artists.
The mankind richness (intelligence) are provoked by the artists. Enslave them = enslaves you.
You entertain your stupidity by working against the artists, convinced by an opposite belief.
It is time to be independent (from these people, you: creators of misery).
Thanks to the free musical care, there is no profit with my music works.
All my works are protected from any owning, like the copyright, by the public domain which is not free because it is domained.

There and here is a start to create free societies, free of slavery.
A start, at last, to grow up our humankind intelligence.

But even knowing that,
the billionaire Sumner Redstone found a way to steal Mathius Shadow-Sky's music works to make personnal profit.
He has a real illness.
It is a real illness.