PLEASE NOTICE

generous rebel & adventurous Myster Shadow-Sky's free Internet gifted discography

 

"MUSIC IS NOT A PRODUCT TO BE APPROVED (BY CUSTOMERS),
 MUSIC IS A MEDICINE TO OPEN OUR MIND."

 

"YOU ARE OVER 1/2 MILLION PEOPLE DOWNLOADING MY RECORDS ! THANK YOU TO LISTEN MY MUSIC !" MYSTER SHADOW-SKY

 

1979 - 2017 = mathius fête ses 68 albums

 

NEWS
May 23, 2015 release of the LAMPLAYERS' BOOK included down here in ObCD 15
June 6, 2015 release of the album: DOES IT RAIN IN OUTER GALAXIES down here at ObCD 64
September 24, 2015 release of the undonable album: par les PLIS passe la Bouffe down here at ObCD 65
March 24, 2016, reedition of the quadraphonic Accomplices of Silence (ObCD 53) as DVD republished by Audiomat available in Krakow.
July 25, 2016 resounding the 2006 album with Aloof Proof & Myster Shadow-Sky down here at ObCD 44
August 30, 2016 a new ghost Ephemerode captured and included down here in ObCD 62
September 2016, better sound remade for the 30 years album anniversary JE SUIS D'AILLEURS down here at ObCD 05
December 2016, the new album of Myster Shadow-Sky + Aloof Proof: TOTAL EXTATIC MUSIC is not released: because of lack of concerned people.
May 2017, ADAPTATIO. Hey! Babies Escape! published down here as it is: the 1st movement: THE PRISON (on 4) + the waiting music + the poster.
June 2017, HUMAN MUSIC is 6 songs with the voice of Minami Saeki, down here at ObCD 67
October 2017, LA FARSA DEL SONIDO for 19 keyboards in addition of the 1994 orchestral version, down here at ObCD 14
December 2017, THE UNANSWERED & UNASKED QUESTIONS silent forgetable music to think, down here at ObCD 68

 

[click the cover to download the album in compressed zip format container] OR [send a request email to the author]
  People are asking me: "why are you giving for free your records?"
  The answer is simple:
  I am calling the music lovers (of the alive composers' music) who desappear in the seventies of the twenty century.
  Since 2005, date of giving for free my records, no one is answering,
  Even if there is half million of people downloading my records.
  How it comes?


cauchemar atomic (cover small)
CAUCHEMAR ATOMIC [NOVA MUSICA?]

#ObCD 01-1979 - 15:25 (for now) of electric guitar music
. Music for 1 to 500 electric guitar orchestra, performed solo by three different musicians giving three different music from the same score: "an atomic cucumber of new music". Others, musicians are invited to joint the 3 interpretation on this album: Myster Shadow-Sky (1979), Stephane Marcaillou (2006), Cyril Marche (2007). score, English presentation, présentation en français.

Ludus Musicae Temporarium (cover small)
LUDUS MUSICAE TEMPORARIUM
by the LAMPLAYER
# ObCD 02-1980 - 55:13 of playing protohistoric music with an object as a musical instrument from the indusian Genoscopic Kalandar dated back to 4980 BC
Revolutionnary protohistoric music performed by 1 Lamplayer 4980 years after the indusian clay tablet with a common lighting springs object: a balanced-arm lamp not prepared as a ready-made archisonic lamp performing the Game of Time (the latin Ludus Musicae Temporarium). Transcription Indusian scores and Greek Roman Antic game: the Ludus Musicae Temporarium: 1980 version, 1985 version, stage design ARC 1981-1983, revisited unfinished 1990 game rules (in French). presentation page. Start the Lamplayer protohistory to AD 2007.

It is impossible... (small cover)
IT IS IMPOSSIBLE TO GIVE A TITLE TO THIS PHENOMENON BECAUSE THE INEXPRESSIBLE BEYOND THE EXTREME EDGES OF SPACE AND TIME HAS NO NAME

# ObCD 03-1983 - 60:41 of stepping in a strange world of unknown music
Music for classical guitar performed with long wood-stick-bow technique: the arco-guitar-couchée: a solo spectral music with original technique to sound massive + BORING SPACE: 10 years after mix with the Digital Interactive Noise Random system. 1rst presentation page.
présentation approfondie, analyse et partition (score).

Dingx (cover small)
DïNGX

# ObCD 04-1985 - 51:50 of the first Bauhaus original music ever
Music on 3 original Bauhaus Musical Instruments: the Fonics built by the Bauhausian Jean Weinfeld. presentation page.

Je suis d'Ailleurs (cover small)                                                       je suis d'ailleurs 1986-2016
ONO LULU FILHARMONIA     JE SUIS D'AILLEURS
 
             for its 30 years anniversary 1986-2016: a remasterization with much much better sound
# ObCD 05-1986 - 55:32 of deep invested music
Music with the Polish orchestra Ono Lulu Filharmonia: Michal Zduniak († 2009), drums; Tadeusz Sudnik, EMS synthi AKS; Myster Shadow-Sky, all other musical instruments and composition; with the guest opera singer: Miss Justina Jarzabek.
presentation page.

6ssssssex+2ex (cover small)
6 sssssseX+2 eX

# ObCD 06-1979/1986 - 53:47 of sexual noises
7 extreme exploration of 7 solo musical score with different sound tools and objects, like: FM radio, sponge, mouthpiece, trombone without mouthpiece, false musical instrument for tourist: drum from Africa, old EMS synthesizer, cheap electric guitar, laughs, etc.
presentation page. partition.

Les Exploration de Paroles St Ethiques (cover small)
LES EXPLORATIONS DE PAROLES ST-ETHIQUES

# ObCD 07-1987 - 63:24 of guitar exploration
Saint-phonic music and songs: with solos with the nonoctave 9-tone strangeing electric guitar
. presentation page. accord de la guitare meteor, nonoctave tuning.

La Commedia Del Suono (cover small)
ONO LULU FILHARMONIA     LA COMMEDIA DEL SUONO

# ObCD 08-1988 - 52:58 of deep invested music
Music with the Polish orchestra Ono Lulu Filharmonia: Michal Zduniak
(† 2009), drums & percussion; Tadeusz Sudnik, EMS AKS synthi; Marcin Krzyzanowski, cello, piano; Myster Shadow-Sky, all other musical instruments and composition; and the guest diva opera singer: Miss Olga Szwajgier. presentation page.

Bauhaus Neofonic (cover small)
THE TRIO FONIC      BAUHAUS NEOFONIC

# ObCD 09-1990 - 34:21 of pleasant chamber music
Chamber music composed by Myster Shadow-Sky & Pierre Bastien for the Trio Fonic who performed (1989-1990) on 12 original musical instruments from Bauhaus built by the Bauhausian Jean Weinfeld. Trio Fonic web page.

Opera [tion] della Bocca d'Amore (cover small)
OPERA [TION] DELLA BOCCA D'AMORE

# ObCD 10-1988/1993 - 9:21 of raw voice
in memoriam Demetrio Stratos. 3 voice pieces performed by Myster Shadow-Sky: "la Prière", "la Bouche", and "Pour en finir définitivement avec la religion". presentation page.

4 Taboo Songs 4 Karioka the Divine (cover small)
4 TABOO SONGS 4 KARIOKA THE DIVINE

# ObCD 11-1992 - 23:35 of songs
Four songs with the Polish famous 70s TV actress: Karioka (
Agata Siecinska) singing in French. presentation page.

Strange Night with Myster Shadow-Sky (cover small)
STRANGE NIGHT WITH THE MYSTER SHADOW-SKY

# ObCD 12-1994 - 60:07 of "musique concrete" dance music
Musique-concrète for body-moving. presentation page.

Mange (cover small)
MANGE

# ObCD 13-1994 - 25:06 of transformed raw voice
Eat, eaten, Shadow-Sky's solo eating voice in a live performance transformed by computer tools & devices (photo portrait by Agata Siecinska). presentation page.

La Farsa Del Sonido (cover small)
LA FARSA DEL SONIDO

# ObCD 14-1994 - 22:10 of 2 time orchestral music
[11:11, 12-tone short version]. Music for 7 keyboards, 2 trumpets, 2 trombones, strings, choir and percussion. presentation page.
+ 10:59, 19 nonoctave keyboards 2017 version.

1992 : musique symphonique exportée pour désoccidentaliser l'Occidental

new and first cover of the 1995 2 lamplayers album replaces the newer 5000 Years After, Music from the Genoscopic Kalandar (cover small)    20 years after the reissue: the Book of the Lamplayers: new and first cover of the 1995 lamplayers album 2015 of 1995 unreleased issue
2 LAMPLAYERS 5000 YEARS AFTER      5000 YEARS AFTER, MUSIC FROM THE GENOSCOPIC KALANDAR

# ObCD 15-1995 - 60:24 + 43:51 of 3 millennia before Christ music with 2 Lamplayers
Music from the Mohenjo-Daro clay tablet: the Genoscopic Kalandar discovered in the Indus Valley in 1924 and dated back to 3000 BC. Music performed by 2 Lamplayers 5000 years after in 1995. presentation page. 50 centuries of protohistoric music. starting intersection page.

6 000 000 000 de Voix Sans Air (cover small)
6 000 000 000 DE VOIX SANS AIR

# ObCD 16-1991/1996 - 43:42 of historical voices
Music with sampled voices from Palestrina to Shadow-Sky. presentation page.

Synphone NO1 (cover small)
THE TRANS-CULTURAL SYN-PHÔNÊ ORCHESTRA      SYN-PHÔNÊ NO1

# ObCD 17-1996 - 63:18 of symphonic music
Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra of Forgues #1 [25 musicians]. presentation page. "Myster Shadow-Sky is a pioneer. He is the first composer who creates the extra large free multigenre and multicultural symphonic orchestra."

2 Lamplayers Alive in New-Europe A.D. (cover small)
2 LAMPLAYERS 5000 YEARS AFTER      2 LAMPLAYERS aLIVE IN NEW-EUROPE AD

# ObCD 18-1997 - 49:18 of 3 millennia before Christ music with 2 Lamplayers
The second album of the archisonic lamp protohistoric music, 2 Lamplayers 4997 Years After live in 1997 (after Mohenjo-Daro, Pakistan: Rieumes, South of France). presentation page.

To Be Definitively Done with Religion (cover small)
S.P.O.R.T.
    TO BE DEFINITIVELY DONE WITH RELIGION
# ObCD 19-1997 - 63:16 of rock music
S.P.O.R.T.'s opera trash'n rebellious electric music with no voice but with drum'n bass'n guitar with Don [drums], MarkAnge [bass guitar] and Shadow-Sky [nonoctave 9-tone electric guitar'n composition]. presentation page.

Syn-Phone NO2 (cover small)
THE TRANS-CULTURAL SYN-PHÔNÊ ORCHESTRA      SYN-PHÔNÊ NO2

# ObCD 20-1997 - 66:23 of symphonic music
Myster Shadow-Sky conducts and composes for the Trans-Cultural Syn-phônê Orchestra of Forgues #2 [83 musicians]. presentation page. "Myster Shadow-Sky is a pioneer. He is the first composer who creates in 1996 the first extra large free multigenre and multicultural symphonic orchestra: The Trancultural Syn-Phônê Orchestra."

Aloof Sky is the Proof of Shadow (cover small)
ALOOF PROOF + SHADOW-SKY     ALOOF SKY IS THE PROOF OF SHADOW

# ObCD 21-1997 - 56:20 of first ...
Distorded noise music with Myster Shadow-Sky playing the Bauhaus Blue Sky Cellocubic and Aloof Proof playing electronic guitar. presentation page.

Knots System in Miami (cover small)
KNOTS SYSTEM IN MIAMI

# ObCD 22-1998 - 54:07 of one man music with 2 speaking women
Multiculti solo music with 2 speakers: Maritza & Sharon saying poems from Ronald D. Laing's book: "Knots" in Miami. presentation page.

The Houston CCMM Artchestra (cover small)
THE HOUSTON CCMM ARTCHESTRA

# ObCD 23-1998 - 53:48 of collective music
. Collective music composed by the Collective Composers Music Makers from the University of Houston with: Chris Theofanidis, Kevin Patton, Robert Boston, Ron Ochoa, Eric Mc Entyre, lead and conducted by Myster Shadow-Sky. presentation page.

Karlheinz Stockhausen Re:Composed vol 1.01 (cover small)
KARLHEINZ STOCKHAUSEN RE:COMPOSED vol.1.01

# ObCD 24-1996/2003 - 73:19 of many recomposers
. Karlheinz Stockhausen's pieces are re:composed by 12 composers who are: PVH, Matthew Ostrowski, Andrea Martignoni, Alfred Harth, Falter Bramnk, Nicolas Brasart, David Fenech, Toy Bizarre, Acapulco Laps & le Vieux Thorax, Techtel Mechtel and Myster Shadow-Sky the initiator of the project. presentation page of re:composition project since 1996. presentation page of the album.

Tha Raw Voice of Cooked Exile (cover small)
THA RAW VOICE OF COOKED EXILE

# ObCD 25-2000 - 71:03 of exiled music
Myster Shadow-Sky in his 2 years of exile (1999/2000), released this album in Rio de Janeiro. He compiled technoïfied brazilian rhythms with his raw voice singing. presentation page.

Oh! A Shadow in the Sky (cover small)
OH! A SHADOW IN THE SKY

# ObCD 26-1995/2000 - 48:28 of cheap PC electronic music
Electronic music to dance or not to dance and some strange lizards around. presentation page.

Infected Or Imperfect Life? (cover small)
INFECTED OR IMPERFECT LIFE?

# ObCD 27-1999 - 61:16 of digital device live performed
A body pressure music performance, a live act performed with grm (computer) tools, an album recorded for DJs to be mixed for massive dance floor with for example a live batucada. An incomplete music for dance floor, 161 bpm 66:16 mn set 4 dj 2 mix, to be mixed with other sounds and music. presentation page.

23 Miniatures for TV (cover small)
23 MINIATURES FOR TV

# ObCD 28-2002 - 23:17 of jingles
23 Electronic pieces from 0:21 to 2:23 for introduicing TV programs (jingles?). presentation page.

Bali, Transcultural Music? (cover small)
BALI, TRANS-CULTURAL MUSIC?

# ObCD 29-2002/2003 - 2:00 of unundestandable exchange
Music with Ketut Pasih in Bali (Indonesia), short transcultural music.
[+ ambiences played and composed and recorded in Bali. Some pieces should be made with Falter Bramnk = not yet published]. presentation page.

Piano Works (cover small)
PIANO WORKS
(1983/2003)
#ObCD 30-2000 of piano music
Pianos music: "3 Ephémérôdes partis du Milieu de la Bombe" (2000 composition for 3 pianos requested by the Brazilian pianist Waldemar Reis); additional 4 nonoctave versions was created in 2010 are avalaible also at the centrebombe music archives free netlabel under the date of 2000, "Le Piano peut-il Sonner sans les Noirs ?" (Lost recording. The 4 hands score has the Brazilian pianist Fernanda Canaud), "Jeux & Interdits (2002 pianos version in waiting... what?)", the 1984 Ephemerodes broken ensemble piano music was transfered to a pianomorph (a keyboard in metamorphosis, its sounds and nonoctave scales) recital in 2013, recorded in 2013/14 in 2 albums: 1 studio: ObCD62 and 1 live at AA Krakow ObCD63 (available down below),

3 Contes pour Enfants (cover small)
3 CONTES POUR ENFANTS

# ObCD 31-2003 - 20:51 of 3 tails for children
. Myster Shadow-Sky raconte 3 histoires aux enfants en musique : "Loulou", "Un Héros", et "Deux Grenouilles".

Orphaned Music (cover small)
ORPHANED MUSIQ ORPHELINE

# ObCD 32-2001 - 77:56 of abandoned music in lonlyness
11 lonely music composed between 1987 and 1999. presentation page.

Wind of Skins: We speak Whale's Song (cover small)
WINDS OF SKINS (WE SPEAK WHALE'S SONG)

# ObCD 33-2000 - 60:04 of middle night music
Silent music with Jorge Ribeiro (bowed doublebass) and Myster Shadow-Sky (trumpet in C). Recorded in Rio de Janeiro during the deep night when the city is asleep. presentation page.

Ti.Me Has No Age (cover small)
THE LAMPLAYER AND THE MACHINE       TI.ME HAS NO AGE

#ObCD 34-2003 - 74:03 of the last Lamplayer's studio recording
Concerto for archisonic lamp, voice, and 164 lamp orchestra. presentation page.

Jeux Interdits (cover small)
JEUX & INTERDITS

# ObCD 35-2002 - 16:59 of a concerto
Concerto for nonoctave 9-tone electric guitar, voice, and OVO orchestra of clones. presentation page.

Waiting Music for Boring rooms (cover small)
WAITING MUSIC FOR BORING ROOMS
#ObCD 36-2004 - 5:16:31 of boring background music (to color the public place emptiness)
8 sound installations for boring spaces, based on WAITING MUSIC (ambiant, to mask our boredom) musical CONCEPT: 1993 (for outer space), 2002 (for train station, and for modern art museum), 2004 (for all kind of waiting rooms), 2005 (for cemetery, for space ship, and for artic cold basement). presentation page.

mini cover S.P.O.R.T. unreleased rehearsal 2004
S.P.O.R.T.    UNRELEASED REHEARSAL
# ObCD 61-2004 - 30:03 of garage wild recording
Rehearsal music, state of S.P.O.R.T. in 2004, the trio of distorded load electric music (with voice) with: Donus [drums], Myster Shadow-Sky [nonoctave electric guitar, voice], RV Richaud [bassguitar]. presentation page

Le Reve des Femme-Poissons (cover small)
LE REVE DES FEMMES-POISSONS
#ObCD 37-2004 - 62:09 of water masking the composed music
Sound installation, for the artist Dorothée Sadowski, where the music orchestral composition is hidden by the continuous sound of water. presentation page.

To Be Definitively Done with Democratie (cover small)
S.P.O.R.T.    TO BE DEFINITIVELY DONE WITH DEMOCRACY
# ObCD 38-2005 - 30:19 (2005 extract) of rock music?
S.P.O.R.T.'s load music
operhardcore with no voice with: Donus [drums], and Shadow-Sky [9-tone electric guitar, synthi EMS VCS3 and composition]. presentation page

miniCoverCD_edogm003A-Various-Artists-vol1&2 May 2005
Various Artists Vol. 1&2
Edogm edo003 released: 1 may 2005

Johann Bourquenez's (the jazz piano player) compilation of different friends musicians from South of France.

LES LEZARDS ETRANGES DES UNIVERS IMPROBABLES in 5 episodes by 5 SHADOW-SKY-ENSEMBLE: saga of 10 hours urgent orchestral music
     Les Lezards Etranges des Univers Improbables: episode 1 (cover small)
     episode #1: september Shadow-Sky-Ensemble#1 with
Myster Shadow-Sky (compositeur, chef d'orchestre, lampe archisonique, voix, trompette, guitare électrique, flûtes, synthétiseurs et autres instruments), Hélène Sage (objets sonores), Donus (percussions), Alexandre Piques (percussions), Fedaden (ordinateur sonique), No I.D. (ordinateur sonique), Stéphanie Marchesi (soprano colorature, clavier), Pierre Cuffini (Cristal & Structures Sonores Baschet), Caroline le Méhauté (hang, verres, sanza, claves, thundertube et installation plastique), Rénaldo Gournier & Christophe Calastreng (sonorisation spatialisée & enregistrement audio).
#live.rec.14sept2005 # ObCD 39-2005 - 2:07:26
     Les Lezards Etranges des Univers Improbables: episode 2 (cover small)
     episode #2: october Shadow-Sky-Ensemble#2 with
Myster Shadow-Sky (compositeur, chef d'orchestre, lampe archisonique, arco-guitar, guitare électrique, électronique et autres instruments), Dominique Regef (violoncelle & vielle à roue), Saïd Daou (viole de gambe), Alix Quéritet (contrebasse), Guillaume Gendre (contrebasse), Cyril Marche (ghimbri, tampura & Ashbory basse), Christophe Calastreng (guitare électrique), Stephan Garcia (guitare basse), Hervé Richaud (guitare basse), Eric Volpatti (percussions : 14 ugal pelog, lithophone de galets, tubalus), Iris Lancery (mezzo soprano et divers instruments à cordes), No I.D. (enregistrement audio).
#live.rec.12oct2005 # ObCD 40-2005 - 1:18:49
     Les Lezards Etranges des Univers Improbables: episode 3 (cover small)
     episode #3: november Shadow-Sky-Ensemble#3 with
Myster Shadow-Sky (compositeur, chef d'orchestre, harpe colombienne, synthétiseurs Mono/Poly & TG77, guitare électrique 9 tons, voix crooner et autres instruments), Masako Ishimura (flûtes), Fanny Sauvageot (flûte), Elisa Trocmé (clarinette et clarinette contrebasse), Anaïs Andret-Cartini (trompette, trompette à coulisse, voix), Alix Quéritet (contrebasse), Hélène Sage (objets sonores, voix), Iris Lancery (mezzo soprano), Maylis Isabelle Bouffartigue (comédienne), Stéphanie Marchesi (soprano colorature & guitare basse électrique), Laetitia Dutech (batterie), Christophe Calastreng (sonorisation & enregistrement audio).
#live.rec.19nov2005 # ObCD 41-2005 - 1:37:23
     Les Lezards Etranges des Univers Improbables: episode 4 (cover small)
     episode #4: december Shadow-Sky-Ensemble#4 band with
Myster Shadow-Sky (composition, direction, pvc-sax, trompette, Bali flute, sampler, synthétiseurs, guitare electrique 9 tons, voix et autres instruments), Yannick Puybaret (detuned sax alt & tenor), Thomas Fiancette (flute & clariflute + fx pedal, speech), Johann Bourquenez (claviers chercheurs de tons, 5/8 tone keyboard), Alexandre Piques (percussions & drum), Henri Demilecamps (ordinateur sonique, sonic computer), Christophe Calastreng (sonorisation quadri & enregistrement audio, quadraphonic PA sys., live recording, quadraphonic spatialization & fx).
#live.rec.14dec2005 # ObCD 42-2005 - 1:16:37
     Les Lezards Etranges des Univers Improbables: episode 5 (cover small)
     episode #5: january Shadow-Sky-Ensemble#5 anti-orchestra with
Myster Shadow-Sky (rassembleur, propositeur, Cellocubic = violoncelle cubique du Bauhaus, Lampe Archisonique, guytare9 électrique, voix et autres instruments), Aloof Proof (guitare électronique), Alexandre Piques (manipulation de vinyles & électronique), Masako Ishimura (flûtes pour Ourdission), Roger Cazenave (guitare basse, synthétiseur pour S.P.O.R.T.), Hervé Richaud (guitare basse pour S.P.O.R.T.), Stéphane Marcaillou (guitare électrique pour Cauchemar Atomic), Christophe Calastreng (guitare électrique sampler), Jean-Pierre Albert (percussions & Quasi Mortal Bedroom drum), Donus (drum), David Segala (sonorisation et enregistrement quadriphonique).
#live.rec.11jan2006 # ObCD 43-2006 - 2:18:10
presentation page.

Alive in Unbelievable Universes (cover small)
ALOOF PROOF + SHADOW-SKY     ALIVE IN UNBELIEVABLE UNIVERSES

# ObCD 44-2006 - 52:30 of unbelievable music                                    |10 years anniversary 2016 resounded
Live recorded album of the January 11th 2006 performance "state of the art of the massive noise music" in Toulouse at the Mandala where Myster Shadow-Sky with Aloof Proof were recreating another world in the unbilievable universes. presentation page.

Le Film Rouge (cover small)
THE GLORIFIED ENTERPRISES       LE FILM ROUGE - THE RED MOVIE

# ObCD 45-2006 - 31:35 + 30:00 of
music & movie
Live album, recorded the June 21th 2006 at MixArt Myrys Toulouse with the movie The Red World 3 screening. The band Les Entreprises Glorifiees (the Glorified Enterprises) are composed with: Donus (drums), Macrocoma (electronics, Laurent Pifinger † 2013), & Myster Shadow-Sky (archisonic lamp, voice & movie editor). presentation page. Expérience unique experience.

HELP inTension (cover small)
HELP inTension de secours

# ObCD 46-2007 - 30:41 of concerto music & video
. A concerto for double trumpet and 4 different orchestra: symphonic orchestra, orchestra of insects, orchestra of noises and, orchestra of electronic sounds. Performed by Myster Shadow-Sky as an appeal for wisdom to people that get crazy about human exploitation and submission against freedom. presentation page. Concerto pour 2 trompettes et 4 orchestres : 1 symphonique, 1 d'insectes, 1 de bruits et le 4e de phénomènes électroniques.

De l'Extase, la Musique Extreme (cover small)
L'EXTREME SONIQUE SANS CONCESSION REUNI       DE L'EXTASE, LA MUSIQUE EXTREME

# ObCD 47-2007 - 183:92 of oratorio music & video
Pirate live recording. A quasi- and erotic opera on Georges Bataille's books by: the Screaming Women Choir (7 screamers), mezzo-soprano, 2 drummers, quadragraphic set, of 4 trombones, electric contrabass, sonic computer, Bauhaus cello cubic, electronic guitar, analogue synthesizers, sampler, nonoctave 9 ton electric guitar, speaking voice, singing male voice, quadraphonic P.A., video projection on 3 screens. Libretto by Mathius Shadow-Sky, Georges Bataille & Charles d'Orléans. Music where we try to understand human life. presentation page. Très belle expérience de 3 heures de musique avec la première apparition du Choeur de Femmes Hurlantes.

Le Centrebombe 5 (cover small)
L'EXTREME SONIQUE SANS CONCESSION REUNI       LE CENTREBOMBE 5

# ObCD 48-2008 - 32 :12 of music beyond human beyond possible
. An explosive blast drums and guitar music: in 5 explosions. presentation page. hardcore or grindcore? who cares? "Nous sommes là pour troubler nos sens au-delà des limites du possible de l'Homme et percer la supercherie dans l'extase." Georges Bataille

L'Histoire Incroyable de Rangoun Kloblar (cover small)
L'HISTOIRE INCROYABLE DE RANGOUN KLOBLAR

# ObCD 49-1995 - 28:05 of sonic tale
. The accidental recording was done after the first movie of Philippe Lacôte at the recording studio of le centre de la bombe in Forgues (France). They was three acoustic guitar players waiting and mathius shadow-sky decided to play "the incredible story of Rangoun Kloblar" with all of them. The engineer recorded the session with two microphones somewhere in the studio but not in front. And this is it, the saved session of Rangoun Kloblar story. 1995 accidental recording from "4 forgotten musicians". Enregistrement accidentel d'un phénomène rare d'entente.

Inside of my Aliveness (cover small)
THE LAMPLAYER AND THE MACHINE       INSIDE OF MY ALIVENESS

# ObCD 50-2006 - 33:08 the lamplayer live
. The 2005 / 2006 Lamplayer & the Machines tour. Here, the end of the Villefranche performance was recorded. Performance pictures was taken only in Berlin: page 1 & 2, and in France: page 1.
Dernière apparition du Joueur de lampe : the Lamplayer après plus de 5000 ans de musique.
The music of the 2007 Funeral End of the Lamplayer (archisonic lamp + trumpet + voice) is listenable here: https://soundcloud.com/myster-shadow-sky/2007-funeral-end-of-the

mini cover album opera Les Rescapés de l'Hégémonie Culturelle
LES RESCAPES DE L'HEGEMONIE CULTURELLE
# ObCD ARC-2008 - 2:46:57 not totally erased music
. Several media files saved from the total destruction of the 2008 opera. presentation page
the short film by Benoit Maestre 2 commercials (on 5) from the opera

Un Voyage au Bout du Possible de l'Homme (cover small)
UN VOYAGE AU BOUT DU POSSIBLE DE L'HOMME

# ObCD 51-2008 - 42:44 music wind & fog
. A foggy performance on human limits with Georges Bataille texts and Canceled music creation by a Toulouse theater director with no serious reason. The result gave a ghost music with missing musicians (the Screaming Female Choir, the blast drums, the cellocubic, the nonoctave 9 tone electric guitar, the arcoguitar, and the fog environment: a solo orchestral machine music reduced from hexaphony to stereophony.
page de présentation 2008. Page de présentation de sa renaissance en 2012. Musique interdite où ne reste que l'OVO [l'orchestre virtuel organisé].

Reconciliation (cover small)
RECONCILIATION
+ CONCILIATION AVEC LA MORT PAR 789 PORTES
# ObCD 52-2009 - 81:20 music & video abstract lights in darkness
. Spiritual mystical (from mystery) electronic music with the vibration of the Universe (as one says).
Musique mystique ratée en hommage à Andrei Tarkovsky avec : « la vibration de l'Univers » (c'est ce qu'on dit). 2 mix.

Les Complices du Silence (cover small)
LES COMPLICES DU SILENCE

# ObCD 53-2009 - 61:00 quadraphonic orchestra music & slogans video not included in the disc
. Concerto for nonoctave electric guitar, flutes, singing and speaking voice in the middle with the audience, and surrounding virtual orchestra in quadraphonic flat space or not. With 4 huge screens for commercials where a VJ grapeshot slogans at 188 bpm (for good strobe obedience). With the resurrected voice of Cathy Berberian who sings with The Accomplices of Noise. presentation page.
2d (? le 1er je crois est : Jeux & Interdits en 2002 # ObCD 35) concerto pour guitare électrique nonoctaviante et OVO [orchestre virtuel organisé] nonoctaviant + des projections mitraillées de slogans vidéo remerciant le « peuple complice  » de sa soumission volontaire à soutenir la dictature sous prétexte de sécurité (qui ne sont pas dans le disque) entrecoupé d'érotisme en mouvements floutés. Avec la voix ressuscitée de Cathy Berberian qui chante avec les Complices du Bruit. Quadraphonic (2 mp3 stereo files) to listen the Accomplices of Silence in quadraphony whith instruction here.
Audiomat DVD cover small|2016 reedition published by Audiomat in Krakow: quadra audio DVD released March 24: http://au.diom.at/pl/kontakt
Bonus cover reedition: The Accomplices of Silence 2016 cover reedition icon éà&- reedition cover published by Audio Art Krakow

white cover
BACH, CHOPIN, SATIE RE:SOUNDED

# ObCD 54-2010 - 50:26 of morphed piano music
. Re:tuned, re:sounded classical piano music. N'est-il pas temps de s'ouvrir à d'autres champs scalaire pour la musique et l'ouverture d'esprit ?

mini disc cover for ASSEEEEEEEZ
ASSEEEEEEEEEEEEEEEEEEEZ
# ObCD 55-2010 - 65:15 of analogue synthetic live music
. A live act given by Myster Shadow-Sky during his illness in November 2010 with a solo analogue synthesizer (the Korg Mono/Poly). The music as "Imperfect Or Infected Life" in 1999 (performed with GRM Tools) is to be mixed with other music and sounds. Bonus: ASSEEEEEZ 2010 [livre 449Ko pdf] + ASSEEEEEZ 2011 [livre 367Ko pdf] = Journal Vigilant d'Exemples Médiocratiques. Performance solitaire du myster shadow-sky au synthétiseur analogique Korg Mono/Poly lors d'un concert en novembre : wow !

CD cover of: Le Choeur de Fillettes Artificielles 2012
LE CHOEUR PARLANT DE FILLETTES ARTIFICIELLES DIT GEORGES BATAILLE
# ObCD 56-2012 - 25:18 of spoken choir music
. A composition for the Artificial Speaking Girls Choir, 28 Georges Bataille's speaks about erotism and anguish. The Choir is extracted from the bigger work and orchestra called Un Voyage au Bout du Possible de l'Homme (A Journey to the Edge of the Mankind Possible). Composition pour le Choeur de Fillettes Artificielles disant 28 textes de Georges Bataille qui parlent d'angoisse et d'érotisme en divers canons. Ce travail est extrait d'une oeuvre plus ambitieuse nommée Un Voyage au Bout du Possible de l'Homme. page de présentation dans le contexte d'Un Voyage au Bout du Possible de l'Homme (in the Journey to the Edge of the Mankind Possible context). Livret du Choeur de Fillettes Artificielles [pdf 78Ko].

front cover of Comment Je t'Aime
COMMENT JE T'AIME
# ObCD 57-2012 - 1:20:58 of spoken trance music with the performance instructions, including the 7 loops.
. A music performance given in 2011 from a love message received between 1990 and 1994 with a high sensitive feeling of love. Une performance solo créée en 2011 avec un message d'amour reçu entre 1990 et 1994 « de ma femme d'alors ».

cover front of the album 12 music for the film Love thy Neighbour directed by Benoit Maestre
L'AMOUR DE SON PROCHAIN AMANT
# ObCD 58-2013 - 68:05 of music for film
12 soundtracks for the movie l'Amour de son Prochain (Love thy Neighbour) directed by Benoit Maestre: presentation, bande annonce (teaser), etc. Musical cultural stereotypes with disconcerting ingredients. watch the movie for free here. 12 musiques pour le film de Benoït Maestre : « L'amour de son prochain » : 12 stéréotypes culturels avec des ingrédients déconcertants. Le film est visible et téléchargeable ICI.

Aloof Proof  Myster Shadow-Sky: A Brief Return to Earth (waiting the album)
ALOOF PROOF + SHADOW-SKY     A BRIEF RETURN TO EARTH stopped and forbidden by the police
# ObCD 59-2013 - 40:03 of alive forbidden music
Barcelona 2013 Live performance of Aloof Proof & Myster Shadow-Sky (the 3rd intent & the third album) stopped and forbidden by the police.
3e rencontre (du premier type) entre Aloof Proof et Myster Shadow-Sky pour ce concert unique à Barcelone en février. Mais le concert fut brutalement interrompu par la police sans donner de motif, reste 40 min de musique d'un bref retour sur Terre aux envolées éblouissantes.

mini cover disc of 'the strang modules' secret'
LE SECRET DES MODULES ETRANGES
# ObCD 60-2013 - 1:53:57 of acoustic ecstasy music
« Ils se sont installés Bertrand, Christophe et Mathius dans un temps sans durée ni horaire (un temps sacré ?), Michel Mathieu leur a donné cet intervalle de temps, 3 heures pour faire jaillir la musique dans son théâtre le Ring, ce qui aujourd'hui est une situation très très rare pour un concert. Cette nouvelle proposition musicale acoustique |sans sonorisation| mélange l'électrique à l'électronique aux instruments de musique asiatiques acoustiques comme la cithare vietnamienne Dan Tranh, le violon pékinois Jinghu avec la batterie de gongs de Bertrand Fraysse fait ensemble avec Myster Shadow-Sky une « musique aculturelle » inidentifiable qui s'éloigne de la mesure des horloges mécaniques pour vivre un voyage dans un espace-temps inconnu, histoire d'aller voir ailleurs et toucher au sublime. »
presentation page. Myster Shadow-Sky: nonoctave electric guitar. Korg Mono/Poly synthesizer. Electro Harmonix frequency analyzer. Vietnamese Dan Tranh. Pekinese Jinghu. Bertrand Fraysse: large gongs drums & percussion feedback. Christophe Deflorenne in 2013: lights & shadows. Page du Secret.

pochette de l'album de l'Ephémèrôde
LES FANTÔMES DE L'EPHEMERÔDE
# ObCD 62-2014 - 1:54:52 of 13 pianomorphes' ghosts
« Révolutionnaire comme le Clavier bien tempéré 3 siècles plus tôt de Johann Sebastian Bach, les Pianomorphes Nonoctaviants de Mathius Shadow-Sky posent l'amorce d'une nouvelle aventure musicale avec sa théorie : des Champs Scalaires Nonoctaviants pour 300 années de développement./ Attention, la musique (les captures de fantômes de pianomorphes) de l'album n'a rien « à voir » avec le récital de l'Ephémèrôde cardent des Chrônes. Les images non plus ». "Revolutionary as Johann Sebastian Bach the Well-Tempered Clavier three centuries earlier, the Mathius Shadow-Sky Nonoctave Pianomorphe starts the beginning of a new Western musical adventure with his Nonoctave Scalar Fields theory: for 300 years development? Note that the music (the pianomorphes catching) of the album has nothing to do with the Ephémèrôde Cards of Chrones' recital. Pictures too." [1]
Download the worksheet of the Myster Shadow-Sky recital performing the Ephémérôde Cards of Chrônes' music. 2013 Diary/Journal de la/of the création. A propos/About nonoctaves scalar fields. Original 1984 Ephemerode music score and explanations (French).

The Ephemerode recital in Krakow 90x90
L'EPHEMERÔDE CARDE DES CHRÔNES live in Krakow official release: December 30, 2014
# ObCD 63-2014 - 2:03:38 of the Ephemerode spatial performance
. Krakow 2014 live performance of the Ephemerode Cards of Chrones invited by Marek Choloniewski to perform at Audio Art Fest 2014. web page diary of the recreation. also online video of the concert. Un récital orchestral et spatial de l'Ephémèrôde à Cracovie. « Magistral ». « Shadow-Sky à Cracovie dépasse l'inimaginable, tranquillement ». "I love your approach, mixing up so many elements, also political, being a great anarchist in our big mixup and (social) decay." Marek Choloniewski. « La musique bouleversée du Myster Shadow-Sky ». Les idées politiques sont publiées là, aussi.

disc icone centrebombe 2015: Does it Rains in Outer Galaxies?
DOES IT RAIN IN OUTER GALAXIES? official release: June 6, 2015
# ObCD 64-2015 - 1:13:18 + 1:13:21 = 2:26:39
. Does it rain in outer galaxies? is 2 times 74 minutes of live time travel with performed electronic music: inevitably attached to space (why? to escape, space idea is necessary), of SiFi outer space adventure beyond everything known (beyond our imagination). Music with 5 synthesizers: the digital Forest synthesizer + the Arcoguitar in DINR sine synthesizer + the British EMS VCS3 modular analogue synthesizer + the Japanese Korg Mono/Poly analogue synthesizer + the digital sine bass with bouncing bowl: all, live performed at different time: 2012 + 1991 + 2013 + 2014 + 2015. Est-ce qu'il pleut dans les galaxies extérieures ? est 2 fois 74 minutes de voyage temporel de musique électronique jouée avec 5 synthétiseurs : inévitablement attachée à l'espace (pourquoi ? pour s'échapper, l'idée de l'espace est indispensable), d'une aventure spatiale de science-fiction au-delà de tout ce qui est connu (au-delà de notre imagination).

small image the CD cover of The Vibrations explained
THE VIBRATIONS EXPLAINED/EXPLIQUEES official film releases A. theater: June 17, 2015, B. CD: February 28, 2016
# ObCD 66-2015 - 1:03 (for the music) not released on DVD, the film is on a world tour in film festivals
. "The Vibrations" (1:04:58. 2015) is a musical film directed and composed by Benoît Maestre's hallucinations musings and wanderings based on Myster Shadow-Sky's music and concerts from 2007 to 2014 (a pioneer musician composer, researcher from the twenty & first century, ah yes?). A movie with Mathius Shadow-Sky's music edited by the film director himself. The fragmented Shadow-Sky's music used in the film was a musical non-sense and by necessity and emergency had to be reorchestrated, recomposed, and remixed, to give back a coherence with the help of new layers for a new orchestral polyphonic music remade by the composer. This music is the result of a rescue mission of the damaging music by the cinema.

The film is now 2016 online at Luciole prod.

The trailer at Vimeo
.
Take the album "The Vibrations Explained", without any images.

Par les PLIS, passe la Bouffe (front cover label)
PAR LES PLIS, PASSE LA BOUFFE ? official release: September 24, 2015
# ObCD 65-2015 - 1:06:25 + 3x29:12=1:27:36 = 2:34:01
4 MUSIC TO DANCE OR NOT TO DANCE? à la page ?
SOMETHING IS NOT DONE YET HERE. I feel this project : unfinished. Something is missing, or something not fundamentally realised to be released. PAR LES PLIS, PASSE LA BOUFFE : Through the Folds (of spaces of universes) Passes Food, is what each alive creature needs to live and to reproduce their species (interspecies breeding does not work). The FOLDS: shape the idea by what we could understand further our mind representations of Worlds and Universes (these concepts of world and universes). To think the fold imply to think several spaces, several universes. The fold is something in between, to exist, it has to be at least 2 shapes to create the fold (the interstice, the gap): the 2 sides needed to make the fold existing. Understanding minds play with folds, to unfold = ex-pli-cation (in French), the process of explaining. In French pli is fold, in English plain is obvious (ad. L. explānāre, f. ex- (prefix) + plān-us flat, plain) in French plain is full, but the prefix ex- means: outside of. The English etymology of explain is it meaning: being outside evidence? Or making the evidence coming outside? In opposite: com-pli-cation in French is to fold again and again to be ununderstandable (like political intrigues). The fold as everything is infinite, means the interval in between has no end: it is why the fold is the shape of any hole or gap. The fold starts the hole, and the infinite gives no end to the hole. The vacuum created by the hole (for evacuation?) is moving something elsewhere. Is the basic of "black holes" concept. "Black holes" figure the scientists hope, there is something outside where it must be: against their fear of emptiness or nothingness. Well, what music can attach to that? Or: what music can be invented being attached to folds? Baroque arts, music and architecture were attached to the aesthetic of folds or more about draped, like drape of material (not flat) fioritura. Perhaps, it is not the right music? What dancing music has to do with folded spaces? Spaces dancing together? Why not, and I do not know, yet.
Le titre contenant n'est pas le contenu, ou : la bouffe passe par les plis n'alimente pas la domination : peiner les autres par la force - lire le livre libre : LE MOUVEMENT DU MONDE qui s'y attache.

white cover
ÀDAPTATIO.  HEY! BABIES ARE ESCAPING!
2016
Not an album, but 2 music to listen in waiting the rest (does it will come?): you can download [zip 139Mo] of what was done in 2016:
1: the test of the 1st mvt THE PRISON [40:03] (on 4: THE PRISON, THE OURDISSION, THE ESCAPE, THE CHASE TO DEATH)
[recorded by Timothée Buquet the October 17, 2016 at Art Zoyd studio, and mixed by Myster Shadow-Sky at home in December]
2: the waiting music (before the concert as part of the music): Le Paradoxe de l'Air [16:26], and
3: besides I like the poster I did for the 2017 fall concerts, inevitably cancelled.
The Album release was planned for September 2017, but by Art Zoyd breaking its engagements, the music is postpone to 2018? Is it? Not sure!
ADAPTATIO. Aïe ! les bébés s'évadent ! (in 4 movements) for percussion, trumpet, electronic acoustic and electric instruments, and voices,
   with The eSpace Experienced mères de l'invention with Jean Pierre Soarez, Romuald Cabardos, Timothée Buquet, and Myster Shadow-Sky
   [in memoriam Jimi Hendrix: 2 short life 2 Xplore but not 2 Xplose] why not? I like his music as a start to something else we do.
The 1rst (unfinished) movement was produced by Art Zoyd studio, the Gérard Hourbette's place, in October 2016. The 3 left movement should be produced by another producers for 2018? Nobody knows, either do not desire any commitment. Commande d'Art Zoyd inter-rompue (pas cor-). Reprise (sauvetage en cours de la musique) par Mix'Art Myrys, Un pavé dans le jazz et le GMEA ? on ne croit pas. Here, the Music Creation Diary.

Human Music cover icon
HUMAN MUSIC          official release: June 1, 2017
# ObCD 67-2017 - 40:33
An unexpected transcultural meeting with the japanese voice: Minami Saeki, made this album of 6 songs.
'Its unlistenable human part, to rejoice your sad soul?
'

De ces pièces d'orfèvre en filigrane vibrantes,
D'où il ne sort que l'ultime son scintillant d'un dernier souffle ;
Sont des pièces très rares de joaillerie musicale,
Pratiquement inexistantes.
À une rencontre, on retient son souffle de vie,
Tellement elle en a pris dans la gueule,
Pour former sa délicate et fragile brisure qui sonne l'inaudible de la musique humaine.

From these goldsmith pieces of vibrant filigree,
From which comes out only the ultimate last sparkling sound of a last breath;
Are very rare pieces of musical jewelry,
Practically non-existent.
At an unexpected meeting,
Everyone hold its breath,
So much it feels painful
To form its delicate and fragile break point to sound the unlistenable of human music.

Disc cover icon The Unanswered Questions
THE UNANSWERED & UNASKED QUESTIONS
# ObCD 68-2017 - 2:12:52
music to think, music to colour your silence |
official release: December 8, 2017
page de réflexions, page of thoughts

instrumentarium :
. 2 vastes massivités soniques
. 2 cymbales balinaises du gamelan
. 1 jinghu (violon de l'opéra pékinois)
. 1 synthétiseur analogique EMS VCS3
. 1 studio d'enregistrement numérique

It is hard to consider these 2 background soundscapes The Unanswered Questions (from ADAPTATIO) and The Unasked Questions (for what ever) being and forming a full concept album. These backgrounds are parts of music with the specific function to colour the silence (= to become and be their silences), but not as independent music. These are just given to experience TO COLOUR YOUR SILENCE. As parts, they are not forming a complete music for an album. iT WILL BE MIXED WITH SOME THING ELSE. And yet, Deisolato came to joint The Unanswered Questions, and Hilare came to joint The Unasked Questions. page of thoughts the meaning of music

Il est difficile de considérer ces 2 coloreurs de silence de fonds sonores The Unanswered Questions (d'ADAPTATIO) et The Unasked Questions (de l'autre musique) être et former un concept album complet. Ces musique de fonds sont des parts de musiques avec la fonction spécifique de colorer leurs silences (= de devenir et d'être leurs silences), ce ne sont pas des musiques indépendantes. Dois-je les offrir seules pour que chacune et chacun expérimentent À COLORER SON SILENCE ? Non. C'est pour ça qu'il n'est pas considérable que ces 2 musiques puissent former une musique complète pour un album. çA SERA MIXÉ AVEC AUTRE CHOSE. Et ainsi, Deisolato est venu se joindre à The Unanswered Questions, et Hilare est venu se joindre à The Unasked Questions. page de réflexions le sens de la musique

 

 

 

MUSIC IS NOT A PRODUCT TO BE APPROVED (BY CUSTOMERS),
MUSIC IS A MEDICINE TO OPEN OUR MIND.

.

 

Free creation cannot be killed, public censorship can only cut the communication between artists and public.
But never for ever.

 

 

ALBUMS WAITING, & BEING IN RELEASE:

GENEROUS
   an album of electronic music to dance to think and to enjoy beyond what is understood
   Myster Shadow-Sky with Fedaden
   based on myster shadow-sky's 'satellite rhythms' and Fedaden's sounds.
   ultramoving music for a new way to dance by being touched together

white cover

TOTAL EXTATIC MUSIC is Myster Shadow-Sky + Aloof Proof, duet + Bertrand Fraysse [past SECRET]
   The November 18 & 19, 2016, the 2 sublime concerts unfortunately was not recorded :(
   The new album was planned for December 2016,
   but unfortunately the November 18 and 19 concerts could not be recorded: no equipment + nobody to take this charge, could not be found.
   THERE WILL BE NO ALBUM OF THESE ASTONISHED CONCERTS

flou du 2d album du SECRET le duo Bertrand Fraysse et Myster Shadow-Sky Il semble que : « le SECRET est mort, et que vive la mort. » Y aura-t-il un second album du duo Bertrand Fraysse et Mathius Shadow-Sky né en octobre 2013 avec LE SECRET DES MODULES ETRANGES ? La musique du SECRET meurt par manque d'attention et de sympathie, comme certains êtres nouveaux nés meurent par manque d'affection : les propositions de concerter leur musique sont trop rares pour qu'ils puissent vivre et faire vivre et murir cette musique si particulière du sublime. La forme chamanique extatique de leur musique sur des durées de plus de 3 heures ne correspond pas aux normes européennes de l'industrie politique des concerts ; leur musique extatique ne peut pas se faire comprendre par des directeurs de lieux de concert qui ne programment que pour rentabiliser l'animation culturelle et le budget public du ministère de la Culture pour des populations désoeuvrées majoritaires : les égarés (ignorants conditionnés volontaires). Pour lesquels ils sont missionnés : ce sont en majorité des fonctionnaires ou se comportant comme tel, depuis que le gouvernement c'est arrogé le monopole du financement des arts (1981). L'ouverture d'esprit est inexistante et montre le degré élevé de médiocratie bien avancé de nos sociétés qui se meurent elles-mêmes ; à force de négliger, de mépriser, de tuer les artistes vivants qui l'épanouissent. Le SECRET doit-il devenir REVELATION pour exister ? C'est ce à quoi nous travaillons. With guests for the next studio recording session: the next album: QUE VIVE LA MORT POUR LA VIE ? no se, no: Total Ecstatic Music. TOTAL EXTATIC MUSIC: when will be the record? no one knows. But, never, knows.

LE deproFONDis DU SUBLIME
  (quite & massive (voicing?) music of background sounds, a basic for orgasm) done in 2015, but not yet ready for now to be released.
  It is present inside the massive silent music The Unasked Questions.

 

 

 

ADDITIONAL info

Myster Shadow-Sky Massive Analogue Live Synthesizers
PARt LES PLIS dES UNIVERS pLIéS PASSE LA BOUFFE
dans LE MONDE DES SYNTHETISEURS ANALOGIQUES DES MACHINES A SONS

la bouffe les plis pochette de disque 2 (recto ou verso)la bouffe les plis (pochette de disque)

DIRIOG (Does It Rain In Outer Galaxies) in June 2015 did not take the place of what was predicted with "LA BOUFFE PASSE PAR LES PLIS dES UNIVERS pLIéS": ever. But the same idea stays of performing massive analogue live synthesizers. PARtir LES PLIS is to enjoy the dance floor, enjoy the dance floor escaping with dancing, the persecution of our societies for other worlds: especially the ones with love. Continuing since the 90s usING massive electronic music to dance. The approx. 30 minutes first piece of the album is blooming: "RUN ! sauve toi ! là, une issue". This dance music is focusing on polyrhythmic effect for the dancers to choose which one to dance. We avoid binary military rhythm which increases the feeling of frustration in obedience generating unnecessary violence. SOMETHING IS NOT DONE YET HERE.

Does It Rains, 2012 Forest synthsizer performance DOES IT RAIN? is not anymore alone. It went with: Does It Rain In Outer Galaxies.

U&U, recipe of freedom disc cover icon Octophonic concerto in space with the Lamplayer and the machines in 2006, undone until now: presentation page

abstraction ?

 

 

 

Note
[1] Cet album des fantômes de l'Ephémèrôde représente une date importante pour l'histoire de la musique occidentale : il donne à entendre pour la première fois quelques combinaisons harmoniques d'accords nonoctaviants : une première mondiale qui sert d'impulsion et de mise en bouche pour les compositeurs des futures générations à découvrir d'autres sonorités, d'autres manières de créer de la musique dans les mondes infinis des champs scalaires : nouvelle base élargie de la formation de la musique. Tout en aidant à sortir nos sociétés de la hiérarchie, du racisme, du privilège et de l'hostilité transformée aujourd'hui en terreur, dont la doctrine classique de la musique est constituée. Cette ouverture d'esprit musical est une issue une chance pour sortir notre humanité de la misère psychique qui s'attache à nuire aux autres vivants, au lieu d'épanouir sont être à vivre sa confiance, à découvrir tout ce qu'une vie humaine peut offrir à l'enchantement.

En fait notre société est presque prête à lâcher l'ancien système qui la gouverne. Mais avant, elle va aller jusqu'au bout de sa peine jusqu'à sa souffrance intolérable pour motiver sa réaction à changer (la Seconde Guerre mondiale semble n'avoir pas suffi). Les prémices de changement sont en gestation depuis presque 1 siècle, dont tous les musiciens ont voulu sortir du joug de la doctrine tonale, mais qui à partir du mouvement postmoderne sont revenus à l'ancienne doctrine avec le prétexte de la nécessité de se vendre ? Que l'inventivité musicale ne soit pas exclue, c'est pourtant ce qui est arrivé. Aujourd'hui et depuis une trentaine d'années où plus rien n'évolue dans la fondation de la musique, les instruments de musique qui offrent un accès à d'autres échelles sont principalement les instruments attachés à l'ordinateur (les instruments acoustiques suivront après). Le protocole MIDI, depuis 1983 permet de calculer toutes sortes d'échelles, mais ce n'est que récemment que l'accessibilité à tout intervalle possible est devenue effective : calculable et audible et jouable musicalement (bien que les métamorphoses d'échelles à différentes vitesses ne le soient pas encore). Nous sommes encore dans les prémices de ce que la musique peut offrir d'infini à l'humanité. Nous savons que la phase de déconditionnement prendra du temps et sera déclenchée par une misère encore + grande de l'humanité. C'est un cycle inexorable que nous n’avons pas encore la maturité de briser. La musique existe pour ouvrir les esprits à créer les liaisons au sublime. A nous d'ouvrir nos oreilles.

 

Needs Been

I m age of forbiddden sex
alone with my graphicsexhibition

narcissigraphics satisfied?

Being deeply human
and our human needs are so huge

Now listen to some music

Étant besoins

Je suis en image en âge du sexe interdit
seule avec ma sexposition graphique

narcissisgraphique satisfait ?

Etre profondément humain
et nos besoins humains sont tellement énormes

Maintenant, écoutons un peu de musique

pochette du disque de l'Ephémèrôde

 

 

links

the centrebombe free netlabel archives to download for free all these albums and much more

la BIBLIO des livres libres du myster shadow-sky

myster shadow-sky's operas, gigs, performances, concerts: dates

myster shadow-sky 's records label representation: le disque du centre de la bombe

myster shadow-sky musical past history and acts

myster shadow-sky censored by and at Wikipedia

myster shadow-sky's music events: now news

the book: In the Sky, the Noise of Shadow = Dans le Ciel, le Bruit de l'Ombre

donation page to the composer

anti-sacem fondation (for artists rights)

back home

report broken links
send a THANKS message to the composer: Mathius Shadow-Sky
for giving for free to listen his music on the Internet since 1997

 

 

Music for those very few people who escape the ugly, the shame of feeling guilty showing being victim?
Why Human beings are prostituted to ugliness? Tell me.

 

 

 

PLEASE NOTICE:

CBS last.fm HAS STOLEN, WITHOUT THE AGREEMENT OF THE ALIVE COMPOSER MATHIUS SHADOW-SKY, HIS MUSIC, HIS MUSIC TITLES, AND HIS NAME.
PLEASE ALSO: DO NOT CHECK AT VLC PLAYER AUDIO PREFERENCES "Submit played tracks to last.fm" which makes you listener the accomplice of the Internet robbery of our music works.
lastfm is a thief (logo) AS ALL OTHERS
PLEASE DO NOT FEED ALL THE INTERNET THIEVES AS: iTunes, Spotify, Lastfm CBS, AND ALL OTHERS making money with artists' works without their permission and without sharing the profit.

Not sharing 50/50 the profit, given by the artists' works, even if a third part is paying the advertisers: it is a robbery.
All the companies, from the richest to the poorest, since the end of the seventies, are robbing the artists.
The mankind richness (intelligence) are provoked by the artists. Enslave them, enslaves you.
You entertain your stupidity by working against the artists, convinced by an opposite belief.
It is time to be independent (from these people, you: creators of misery).
Thanks to the free musical care, there is no profit with my music works.
All my works are protected from any owning, like the copyright, by the public domain.
A start to create free societies out of slavery. A start, at last, to grow up our humankind intelligence.

But even knowing that,
the billionaire Sumner Redstone found a way to steal the Mathius Shadow-Sky's music works to make personnal profit!
He has a real illness!
It is a real illness!